"I mix in exclamation points!" Join host Lij Shaw as he dives into a vibrant conversation with Grammy and Emmy award-winning engineer Jamie Tate in this episode of Recording Studio Rockstars! With insights from his journey as the owner of The Rukkus Room in Nashville, Jamie offers a behind-the-scenes glimpse into the evolving landscape of country music and the artistry of mixing. They navigate the playful intersection of analog nostalgia and digital dynamism, sharing personal anecdotes and invaluable tips for home recording enthusiasts. With Jamie’s passion and expertise, you'll discover not only the emotional depth of music production but also the pioneering spirit of independent artists. Tune in for a sound adventure that’s sure to inspire your own creative journey!

My guest today is Jamie Tate, a Grammy and Emmy Award-winning recording engineer, mixer, producer, and the owner of The Rukkus Room in Nashville, TN. Jamie’s career in the studio world began as an intern at The Sanctuary Recording Studios, where he worked his way up to chief engineer. After The Sanctuary sold, Jamie honed his craft while working around the clock at Abtrax Recording Studios. By 2004, with 18 months of clients already booked, he took the leap and founded The Rukkus Room, which has since become one of Nashville’s most iconic recording spaces.

The Rukkus Room was designed by Gene Lawson of Lawson Microphones and is one of the last remaining purpose-built recording studios in Nashville. Spanning 8,000 square feet across two separate buildings, it offers unparalleled isolation for recording. Shortly after opening, Jamie recorded Jack Ingram’s #1 single “Wherever You Are” and several other top-five hits, cementing the studio’s reputation as a go-to destination for legendary and up-and-coming artists alike.

Jamie has mixed and recorded music for a stunning array of artists, including Thomas Rhett, Taylor Swift, Dustin Lynch, Jerrod Niemann, Maddie & Tae, Alan Jackson, Vince Gill, Alison Krauss, Miranda Lambert, John Prine, Rhett Akins, Sheryl Crow, Brooks and Dunn, and many more. His work has been featured on platinum-selling records, chart-topping singles, and critically acclaimed projects across genres.

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Website Links:

https://www.rukkusroom.com/

Instagram: @rukkusroom
Facebook: @therukkusroom
X: @rukkusroom

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

"Get the main menu music worked out!" In this captivating episode of Recording Studio Rockstars, host Lij Shaw sits down with the talented music director and game audio specialist, Steve Pardo. They dive into Steve's journey from jazz musician to game composer, sharing his insights on the creative process and collaboration in the industry. Steve passionately discusses how to get the main menu music just right, the magic of mixing in Dolby Atmos for gaming, and why the saxophone shines with guitar pedals. From Unreal Engine to Apple Logic Pro X, he offers tips on creating huge sounds in a small studio, all while highlighting the significance of live instruments in modern production. Don’t miss this lively conversation that blends nostalgia with cutting-edge techniques, and get inspired to embrace the future of music and gaming!

My guest today is Steve Pardo, a music director, and game audio specialist with over 15 years of experience crafting immersive music and sound for award-winning games and globally recognized franchises. Steve is the co-founder of SkewSound, Composer and Music Manager at ProbablyMonsters, and an active performing artist based in Nashville, TN.

Steve’s career began at the legendary Harmonix Music Systems, where he worked on iconic titles like Rock Band VR, Dance Central, and Fantasia: Music Evolved. He has since contributed to games such as Fortnite Festival, Cypher 007, Moonbreaker, and Signs of the Sojourner. His music also appears on platforms like Netflix, Adult Swim, and IFC, and he’s collaborated on cutting-edge projects involving generative and AI-driven music for companies like Mastercard, Warner Music, and Tribeca Film Festival.

A graduate of the University of Miami, Steve earned both a bachelor’s degree in Studio Music and Jazz and a master’s degree in Studio Jazz Writing, grounding his creative work in a rich foundation of jazz and orchestration.

Steve’s Nashville studio is equipped with a 7.1.4 Atmos system, boutique microphones, synthesizers, and more, allowing him to create very cool music in a cozy setting.

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Website Links:

https://www.stevepardo.com
https://soundofobjects.com/

Instagram: @stevepardo

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Wanna get a big fat snare drum sound? In this dynamic episode of Recording Studio Rockstars, host Lij Shaw interviews music producer and engineer Charlie Waymire, the visionary behind Ultimate Studios Inc. From his roots as a drummer to mastering studio workflow in Los Angeles, Charlie shares his journey and the challenges he’s faced. They delve into achieving that big fat snare drum sound, the intricacies of selecting Roswell Pro Audio mics, and the importance of collaborating with clients in the studio. Charlie emphasizes the value of experimentation and understanding gear, all while rediscovering his passion for music creation. This episode is a treasure trove of insights for both aspiring musicians and seasoned engineers alike!

My guest today is Charlie Waymire, a music producer, recording engineer, and mixing engineer based in Los Angeles with a career that began behind the drum kit. As a drummer and musician, Charlie developed a passion for capturing the essence of sound, gradually transitioning into the world of audio production. His journey led him to establish Ultimate Studios, Inc., a place where he records, produces, and mixes music for artists across different genres.

Charlie's hands-on experience as a musician guides him as a producer and engineer, understanding the creative process from an artist’s perspective. This allows him to capture authentic performances and help guide artists in crafting their best work. As a career drummer, Charlie wanted Ultimate Studios, Inc. to have a great sounding and affordable drum room where he has had the pleasure of working with some of the best drummers in the world, including Chad Smith (Red Hot Chili Peppers), Ray Luzier (Korn), Oscar Seaton (Lionel Ritchie) and Steven Wolf (Dr Luke/Alicia Keys) to name a few.

With a focus on sonic quality and artistic collaboration, Charlie has built his reputation as a trusted partner for artists seeking professional recording and production services. His dedication to both the technical and creative sides of music production has made him sought-after in the Los Angeles music scene, committed to helping artists achieve their full potential.

But, he says, the real star of his studio is his dog, Delilah. She actually runs the show, and Charlie mainly makes coffee. 🙂

Special thanks to Matt McGlynn at Roswell Pro Audio for making our introduction.

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Website Links:

https://www.ultimatestudiosinc.com/
https://soundofobjects.com/

Instagram: @soundofobjects
TikTok: @soundofobjects

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

"It's all about the spirit, man." In this electrifying episode of Recording Studio Rockstars, host Lij Shaw reunites with the ingenious Brian Murphree, the mastermind behind Sound Porter Mastering. Together, they traverse Brian's remarkable journey from passionate musician to a celebrated mastering engineer, illuminating the vital role of sonic excellence in music production. Their conversation uncovers the fascinating evolution of video and photography, while diving deep into recording techniques, studio design, and acoustics. With a keen focus on the artistry of sound engineering, they dissect advanced methods like mid-side processing and the artistry behind the 'do no harm' philosophy in mastering. Rounding out the episode, Brian and Lij share war stories from the punk underground, blending nostalgia with invaluable insights for aspiring sound producers ready to make their mark.

My guest today is Brian Murphree, a seasoned mastering engineer and founder of Soundporter Mastering, based just south of Nashville. Brian’s career spans over 15 years in the mastering field, during which he’s dedicated himself to helping artists and mix engineers achieve their best possible sound. Since launching Soundporter in 2019, he’s built a client list that includes Grammy-winning producer Boo Mitchell, Melly Baldwin, touring drummer for Justin Bieber, and a range of other artists whose work has amassed hundreds of thousands of streaming plays. Brian’s approach centers on delivering professional-quality results while making mastering accessible for artists at any stage of their career.

Brian’s journey began with his own experience in bands, where he took on the mixing and mastering roles to bring underground artists' sounds to life, often on a tight budget. His supportive and collaborative approach makes him a trusted resource in the music community, and he’s passionate about helping clients get the most out of their mixes before they even reach the mastering stage. Brian has also played bass with the surf rock band Daikaiju and punk band Random Conflict, contributing to his deep understanding of the musical landscape.

You can hear Brians backstory on episode RSR227 and check out the Youtube playlist of cool music he has helped create in the show notes.

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watch more on youtube

Website Links:

RSR277 – Brian Murphree – How to Get Your Mix Ready for Mastering

https://www.soundporter.com/

Instagram: @brianmurphree1
Facebook: @soundportermastering
Youtube: @brianmurphree8023

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Incremental progress leads to significant achievements! Join Lij Shaw as he interviews audio veteran Alex Ohana, who shares stories from a 35-year career. Alex reveals the power of embracing risk and reinvention, along with the importance of community in the audio world. He discusses his journey, from recording techniques to the evolution of technology, and offers insights into finding success in the music industry. This inspiring conversation delves into innovation, personal growth, and staying true to your creative vision.

My guest today is Alex Oana, an engineer, producer, and innovator originally from Minneapolis and now based in Los Angeles. Over a 30-year career, Alex has produced hundreds of records and earned 11 Minnesota Music Awards. In 1994, he purchased the former home of Twin/Tone Records to launch his own studio, City Cabin, in Minneapolis. In the early 2000s, Alex relocated to Los Angeles, where he focused on mixing and worked as a front-of-house engineer for Pharrell Williams and NER*D on global tours.

Alex has also held roles such as Global Sales Manager at Apogee Electronics and consultant for Vintage King Audio. As Vice President at Slate Digital, he co-created the groundbreaking Raven multitouch DAW controller. Later, he founded Audio Test Kitchen, an innovative online platform offering detailed comparisons of over 300 microphones and other audio gear. He is currently the Vice President of Marketing for Sound Vision Works.

Alex first joined us on episode RSR226, where he shared his full backstory. Today, we’ll dive into the latest in studio tech and production.

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Website Links:

https://www.audiotestkitchen.com/
https://www.soundvisionworks.com/
https://www.alexoana.com/

Instagram: @audiotestkitchen @soundvisionworks @alexoana 
Facebook: @audiotestkitchen @soundvisionworks @alexoana
YouTube: @AudioTestKitchen @SoundVisionWorks 

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

"You can do whatever you want." In this engaging interview, Lij Shaw sits down with Jason Livermore, co-owner of the Blasting Room studio, to explore Jason's transformative journey from aspiring musician to Grammy-winning producer. They discuss the studio's evolution, the significance of high-quality equipment, and the invaluable experience gained from working with interns. Jason delves into the intricacies of modern mixing techniques, the transition to digital, and the essentials of drum recording and mixing, highlighting the impact of acoustics, MIDI, and automation. Their conversation also covers the joys of learning new instruments and offers practical advice for aspiring engineers looking to thrive in the competitive world of music production.

My guest today is Jason Livermore who got his first snare drum at just three years old and eventually picked up guitar and bass but found his way back to drums, which he loved most. In junior high, he discovered punk rock, with Milo Goes to College as his first vinyl purchase. Jason played in bands throughout high school and college, even recording some of them himself. After college, he realized that recording would be a better path than selling beer for Miller. When ALL opened the Blasting Room in Fort Collins in 1994, Jason jumped at the opportunity and has been a key part of the studio ever since. In 2015, he became co-owner alongside Bill Stevenson, working on about 95% of the albums from the studio, including producing the Latin GRAMMY-winning record Solo D’Lira in 2023. Jason has also played drums for bands like Wretch Like Me, Drag the River, Bill The Welder, Soul City Missionaries, and The Virginia Sisters.

Special thanks to Brian Murphree for the introduction!

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Website Links:

Instagram: @jasonlivermore @theblastingroom
Facebook: @blastingroom

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

"It's all about intention." In this episode of the podcast, Lij Shaw sits down with seasoned artist, songwriter, and producer Ryan Ordway, who shares insights from his two-decade journey through the music industry. They discuss various nuances of music production, covering topics from remote recording challenges to the importance of acoustics and effective studio management. Ryan emphasizes the need for adaptability, personal interaction, and practical tips to ensure high-quality sound and a smooth creative process. Aspiring producers will gain valuable strategies for optimizing their craft and navigating the evolving landscape of music recording.

My guest today is Ryan Ordway, a multifaceted artist, songwriter, producer, and audio engineer, proficient in analog and digital recording, mixing, music licensing, session playing, and commercial studio management. With over two decades of experience in the music business, he has recorded and produced nearly 1,000 songs across musical genres. Ordway has designed, built, and operated three commercial recording studios throughout his career. In 2020, he partnered with The Studio Portland in Portland, ME, where he undertook an ambitious remodel completed in 2024. Under Ordway’s direction, The Studio became home to 98.9 WCLZ’s Studio Z series, through which he has recorded an impressive roster of international recording artists, including: Noah Kahan, Grace Potter, Lake Street Dive, Joy Oladokun, The Heavy Heavy, Gregory Alan Isakov, Josh Ritter, Hiss Golden Messenger, Talk, SMYL, Lucius, Cecilia Castleman, Joseph, and Charlie Crockett, among others.

Ordway’s songwriting talents earned him an invitation to the renowned Blackbird Studios in Nashville, where he recorded with famed producer Ken Scott (whose client list includes The Beatles, Elton John, and David Bowie). His song "Easy Street," produced by Scott, was featured in Robert Willey's Getting Started with Music Production, published by Hal Leonard in 2015.

Recognized for his ability to create transformative experiences for clients throughout New England, Ordway was nominated for Producer of the Year at the New England Music Awards in 2023. His song "Back Again" was nominated for Song of the Year in 2022.

Ordway’s original music is licensed in over 13 countries and featured on major platforms like Amazon Prime, Netflix, and Hulu. His music has appeared in popular TV shows such as NBC's The Office, ABC's Happy Endings, and FOX's Raising Hope. In 2023, his cover of Rusted Root’s “Send Me on My Way” won him a multi-year contract for Nature Valley's Life Happens Out There national TV spot He has worked with other national clients, including Klondike, Polo Ralph Lauren, and John Deere.

In addition to his technical expertise and commercial success, Ryan is a passionate educator and mentor. At The Studio Portland, he leads professional audio production training programs and recording camps, sharing his knowledge and inspiring the next generation of audio engineers and producers. Beyond music production, Ryan produces podcasts and provides voiceover (VO) and automated dialogue replacement (ADR) post-production services for elite clients such as Lucas Films, Netflix, HBO Productions, and Penguin Random House Audio Books division.

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Website Links:

https://ryanordway.com/
Instagram: @ryanordwaymusic

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Taking care of oneself enhances professional interactions! Will discussed his journey from a small town to the music industry, emphasizing the importance of mental health and self-care within the field. He addressed the balance between technology and artistry and explored adapting to evolving production landscapes, such as Atmos mixing. Will also shared his insights on career transitions, the impact of music budgets, and recording techniques.

My guest today is Will Kennedy, a platinum-selling producer, mixer, and recording engineer whose credits include U2 on Songs of Experience and Songs of Innocence, O.A.R. on Live From Madison Square Garden, and OneRepublic’s Oh My My. He’s also known for his work on The 88’s “At Least It Was Here,” the theme from the hit TV series Community. In 2021, Will teamed up with longtime collaborator Matt Wallace to create Studio Delux Immersive, a cutting-edge mixing studio at the legendary Sound City Center in Los Angeles. Together, they’ve mixed over 200 songs in Dolby Atmos and other immersive formats, bringing new depth to classics by Jason Mraz, Black Sabbath, The B-52s, and Selena Gomez, as well as enhancing new releases from Dave Matthews Band, Tank and the Bangas, Ondara, and Grouplove. Will’s expertise in immersive audio and multi-genre mixing has established him as a pioneer in the field, and he continues to inspire a new generation of engineers with his innovative approach and technical skill.

His personal studio in Los Angeles (Studio P) features an incredible array of modern digital equipment (Avid, Universal Audio, Waves, Soundtoys, Arturia, Korg), custom-built analog processing by JCF Audio, and vintage analog gear including a 1963 Vox AC 30 guitar amplifier, and restored 1973 Ampex 440-B reel-to-reel tape machine available for all mixing projects.

Will was also one of the originators of the popular “Mix Notes From Hell” podcast, and was the music producer for the East African singing contest show “Maisha Superstar.”

Thanks to Matt Boudreau at Working Class Audio for making our introduction!

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LISTEN TO DISCOGRAPHY
ON apple music and spotify

Website Links:

https://willkennedyproducer.com/
Instagram: @wkproducer

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Daily planning is crucial for managing a busy studio schedule! Duncan explored the importance of mastering, the impact of technology and AI, and the intricacies of creating a professional sound environment. He shared insights into his workflow, including his unique 'flight plan' approach to daily planning, while also discussing the challenges and rewards of mastering music for vinyl records.

My guest today is Duncan Ferguson, a mastering engineer based in East Nashville with a true passion for critical listening and collecting all kinds of recordings. Duncan got into mastering naturally and has earned the nickname “the music librarian” from his close friends. Over the years, he’s honed his skills to bring music to life across all listening applications.

Duncan’s mastering studio, The Voltage Exchange, is all about solving problems for clients. After seeing the shifts in the music industry over the past decade, he’s focused on offering solutions for artists, producers, and mixing engineers while making the process as seamless as possible. Duncan believes in collaboration and transparent relationships — he loves having clients present during sessions and sharing his techniques, equipment, and choices to ensure their true vision shines through.

As someone who also collects vinyl, Duncan offers full-service in-house vinyl mastering and disk cutting with a new Sillitoe lathe. Duncan's mastering studio is right nearby me in East Nashville.

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Website Links:

https://thevoltageexchange.com/
Instagram: @thevoltageexchange

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

"The Distressor is an iconic piece of gear." Dave talked about his journey from musician to audio engineer, creating the iconic Distressor compressor, the role of distortion, harmonics, and thoughtful gear selection in achieving masterful audio mixing and production, and offered practical advice for aspiring recording engineers.

My guest today is Dave Derr, a musician raised in a family of engineers destined to rock and make his mark on the recording industry. Dave started with studying classical piano, composition, and theory as a Music Major in college but still loved ripping solos on his '67 Gibson SG Special. This passion for music led him to a 12-year journey with the band Jack of Diamonds, touring the Philadelphia, Delaware, and Maryland areas.

But Dave wasn’t just rocking the stage—he was also the guy fixing the band's guitars, keyboard rigs, and PA systems. This hands-on experience sparked his path to becoming an Electronics Technician and eventually a studio engineer.

Dave landed a gig at Eventide and worked alongside industry giants, contributing to the design of iconic gear like the H3000, H3500, and DSP4000. And after hours? He ran his own recording studio at home, refining his craft night and day.

In 1994, Dave’s talents culminated in the creation of the Distressor—a modern classic that’s now a staple in major studios worldwide. Empirical Labs now has over 42,000 Distressors sold and an entire line of analog processors and digital plugins and their latest creation, the PUMP, a powerful 500 Series compressor based on the Distressor is breaking new ground for getting killer sounds in the studio or out in the field.

I am super excited to have Dave Derr joining us on the podcast today. This is a big day for me, the show, and definitely a bucket list interview!

PS Go to empiricallabs.com to find the Arousor and BIG FrEQ plugins where you can use the coupon code RSR10 for 10% off.

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Website Links:

https://www.empiricallabs.com/
YouTube: @empiricallabsinc
Instagram: @empiricallabs
Facebook: @EmpiricalLabs
X: @EmpiricalLabs

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya