Dizzee Rascal Archives - Recording Studio Rockstars

Tag Archives for " Dizzee Rascal "

RSR026 – Matthew Weiss – The Pro Audio Files

(Press play on the green strip above or listen on iTunes with the link below)

RSR007 - David Glenn - The Mix Academy

If you dig the show I would be honored if you would subscribe, and leave a rating, & review in iTunes.

RSR026 - Matthew Weiss - The Pro Audio Files

My guest today is Matthew Weiss, a Grammy nominated, and Spelleman Award winning engineer. He began his career assisting such notable engineers and producers as Bobby Eli, Mark Marshall, Denise Barbarita, and Ron St. Germaine.



His credits include Arrested Development, Snoop Dogg, Dizzee Rascal, Uri Caine, Sonny Digital, Mega Ran, King Midas, Armageddon, Ronnie Spector, and too many more to mention here.


Matthew also executive produced the self ­titled album "Soul Veggies" which debuted at #47 on the Indie Billboard Chart, #97 on the Hip Hop Billboard Chart, and #188 on Billboard's Top 200.


Most importantly for your Rockstars, is that Matthew loves teaching audio recording and mixing. He has appeared as a guest speaker at Cornell University, ProStudio Live, and SXSW. And his audio education tutorials are among the best selling and most highly regarded that you will find.


Matthew has teamed up with The Pro Audio Files to create many courses teaching you everything from mixing Hip Hop & EDM, or Rock and Pop music. He also offers advanced courses diving deeper into topics like mixing rap vocals or Hip Hop beats.


When you are ready to learn by example, you will enjoy Matthew’s Mixthru Series where you get to watch over his shoulder as he mixes an entire song from start to finish in real time. It’s like getting to hang out in the studio with a master mixer for hours during a real mix. Matthew even stops along the way to explain every detail. So you know not only what is going on, but why he is making all his mix decisions.

Learn Directly From Matthew Weiss!

(Keep reading to see the special discount offer created just for your Rockstars!)

MIXTHRU SERIES

Improve your mixing skills by watching a professional mix engineer at work. Learn the what, why, and how as Matthew mixes right in front of you.

MIXING EDM

Learn How To Mix Drums, Synths, Bass, Vocals, transitions, Drops, and More!

MIXING HIP-HOP

Levels, Compression, EQ and everything in between!

THE PRO AUDIO FILES MEMBERSHIP SITE

This is the place to find all of Matthew's tutorials and courses in one place for one monthly price!

The Pro Audio Files have created a special offer just for your Rockstars...

Now you can get 25% off of any Matthew Weiss product. (For a limited time so act now!)

Just use the code RSR25 at checkout​


Jam Session 

Q - What was holding you back at the start?
A - Money! It’s really hard to go places and do things when you’re working at a pizza shop.

“The most important thing in mixing and production is the decision making process” @WeissSound


Click to Tweet

Q- What was some of the best advice you got early on?
A - I was backstage at a concert going on at temple university and KRS-One was the headliner and I got a chance to talk to him backstage. I asked him what's the magic key to success. and he said to me, “If you really want to stand in your own light, help someone else stand in theirs”, and that pretty much shaped my whole career.

“The direction of the hustle is a little different… I call it downstream production” @WeissSound

Click to Tweet

Q- Share with us a recording tip, hack, or secret sauce.

A - Understand the instrument you’re recording. If you want to get the best sound sonically speaking from a voice. They best way is to understand the mechanisms that go into vocal performance because if you know those mechanisms you will get such an improvement of sound at the source. You can throw up a bullshit microphone going into a bullshit preamp and still actually get sonically speaking good results.

Q - Share a favorite hardware tool for the studio
A- I've got a fairchild clone. I love my hardware, a lot of it's modified to do what I want it to do. I got a Bricasti Reverb recently, that thing sounds so good. I picked out all this stuff for very specific purposes, not all of its expensive. I’ve got a drawmer punch gate, I’ve got a Bellari tube exciter and it's been modified, and that's not a very expensive unit, and I have a $7,000 compressor that sounds really, really good.

“I’m miscredited or not credited probably as often as I’m credited” @WeissSound

Click to Tweet

Q - Share a favorite software tool for the studio

A - There's so many of them. Waves Inphase seems to keep making its way into my life. It’s one of the few things that you can do in terms of processing that actually adjusts the source recording. Getting a perfect phase relationship between things like miced bass cabinet and bass DI is pretty irreplaceable.

“If you do your work on the front end, it makes things like mixing a whole lot easier” @WeissSound

Click to Tweet

Q - Share with us a tip for the business side of the recording studio

A - I haven't found too many great resources for the business side of things, so I would love it if your listeners send me their resources! I had been checking out accountants and decided to be my own. I talked to managers and ultimately decided to be my own manager. I’ve had assistants and all of them have been unfortunately fired. So I end up doing everything myself. I write my own contracts because I have yet to find any resource that helps with that. Google is amazing. If you want to know things, like what goes into a split sheet, but you can google it and get a sheet to print, and learn what it is and what it does. Be self-sufficient.

“Bragging rights are great, but nothing beats the experience” @WeissSound

Click to Tweet

Q - If you had to start over what gear would you need? How would you find people to record? And how would you make ends meet while you got started?

A - You need a laptop because you have to be able to communicate with people. Whatever budget that you can get for equipment, but put a good amount toward necessities: an interface, a respectable microphone. My first microphone was an Audio Technica 433 A, I still have it and still use it. When you’re buying gear, try to buy the stuff you are going to keep. And don’t forget to save money for expenses on the way up. Be selective about who you’re working with, but know these are the people who are ultimately going to shape your career.

“Some decisions will turn out to be mistakes” @WeissSound

Click to Tweet

Q - What is the single most important thing a listener can do to become a rockstar of the recording studio?

A - Get into the studio. Whatever sacrifices you have to make, trust me. What is going into a studio and buying studio time yourself in the face of that? Whether you’re going to college to get your degree in finance, it's a sacrifice in the beginning. You incur debt or pay out of your own pocket to get an education, to gain access to people, to form connections and network and expand what you’re doing. And after you make that sacrifice, the idea of the investment is it pays off down the road. So be willing to make sacrifices and realize they aren’t as big as they are when you’re making them.

Contact:

theproaudiofiles.com/members

www.weiss-sound.com

www.weissadvice.com