"Finished in two words = Vocal level!" Dan talked about mastering from anywhere with a laptop and Audeze headphones, why speed is crucial, how to serve the song and client, finding your ideal speaker/headphone listening level, ear training, and bass!

My guest today is Dan Millice, a mastering engineer located in NYC with over 13 years of experience. During his career, Dan has been credited for mastering 11 Grammy-nominated projects. He recently mastered Terri Lyne Carrington's album "New Standards, Vol. 1," which secured a Grammy win for Best Jazz Instrumental Album.

Thank you to Michael Estok and Jim Stewart for the introduction!

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Website Links:

https://www.danmillicemastering.com/
Instagram: @danmillice
X: @doctormillice

https://samply.app/ - Use code RSR20 to get 20% off!

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

Sometimes you feel like a Nutt... Jimmy talked about Fame Studios, Jason Isbell, how to get $1000 for recording your music, miking up a bluegrass band, miking upright bass, the secret to great drums, large versus small mics, and setting up monitors.

My guest today is Jimmy Nutt a GRAMMY Award winning Engineer, Jimmy Nutt, grew up in Shreveport Louisiana surrounded by musicians steeped in blues and rock. He joined his first band at age 13. Early on, Jimmy was interested in recording and sound. He acquired a Tascam 4-track cassette recorder while still in his teens and started learning how to record a band.

In 2000, Jimmy moved his family to Muscle Shoals, AL. to work as a staff-recording engineer at FAME Recording Studios. During his time at FAME, he recorded sessions for Jason Isbell and the 400 Unit, Clarence Carter, Heartland, Russell Smith, The Drive-by-Truckers and many more. He worked at FAME for almost 3 years before becoming an independent recording engineer and producer. He was also a staff writer for FAME’s publishing company during this time.

Jimmy is now the owner of The NuttHouse Recording Studio, Inc. located in downtown Sheffield, Alabama. He transformed a bank built in 1955 into a recording studio and has hosted numerous recording sessions in the last 14 years including well-known artists; Percy Sledge, The Dead South, Blind Boys of Alabama, Dylan LeBlanc, Billy Ray Cyrus, Jason Isbell, John Paul White, Donna Jean Godchaux, and The SteelDrivers.

In 2016, Jimmy won a GRAMMY award for engineering and mixing the “Bluegrass Album of the Year”, The SteelDrivers, “The Muscle Shoals Recordings”. And In 2020, Jimmy won the Canadian Juno award for producing and mixing the “Traditional Roots Album of the Year” for The Dead South album “Sugar & Joy”.

Thank you so much to Jake Kiser, Mark Rubel, Craig Alvin, suggesting Jimmy come on the show and Kyle Lenhing for making our introduction!

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Website Links:

https://thenutthouse.com/
Facebook: @musicnutt @The-NuttHouse-Recording-Studio
Instagram: @thenutthousestudio

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

Don't sweat the noise too much! Harold talked about derressering masters, iZotope RX ninja tips, phase aligning mixes, how to use mid side eq, mastering Moogs, bass wins in big vs small control rooms, LUFS targets, and why linear eq + hip hop = bad.

My guest today is Harold LaRue, a GRAMMY-winning mastering engineer in Houston, Texas. Harold’s recent clients include contemporary jazz masters: The Wayne Shorter Quartet, Terri Lynn Carrington, and Joey Alexander — synth sorceress: Lisa Bella Donna, and R&B legend: Jeffrey Osborne.

Harold has worked as a software developer, pro-audio service manager, theatrical sound engineer, and restaurateur and was the monitor engineer for the Houston Symphony Orchestra before leaving to focus on his growing mastering business.

As an audio educator, Harold has developed and taught studio production and mastering courses at universities and recording schools across the country. He continues to present public workshops and teach privately. He is a Voting Member of the Recording Academy’s Producers & Engineers Wing, Audio Engineering Society, and the International Alliance of Theatrical Stage Employees. Check out our previous interview on episode RSR225 to learn more about Harold’s backstory.

I want to dedicate this episode to the late great audio designer and engineer Glenn Coleman whom Harold introduced me to at NAMM 2020. 

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Website Links:

RSR225 – HAROLD LARUE – HOW TO DO PRO MASTERING IN YOUR DAW
https://haroldlaruemastering.com/
https://bio.site/mastering
Facebook: @haroldlaruemastering
Instagram: @haroldlaruemastering
LinkedIn: @haroldlarue

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

"Build Your Toolkit!" Mark talked about finding job opportunities in the audio industry, recording sessions on Music Row at Ocean Way, Masterphonics, and The Workshop, running the SAE Institute, Teaching film at IFC, Atmos mixing, & flying drones.

My guest today is Mark Martin, an engineer who worked at Masterfonics, Emerald, OceanWay l, SAE and the Workstation. He became VP of Marketing for all 38 SAE locations in 18 countries. He moved to Austin to do live sound. Mark came back to Nashville to be VP of Marketing at the Nashville Film Institute.

Thank you to Michael Cronin for the introduction!

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Website Links:

https://www.thetoyboxstudio.com/category/stereo-sessions/
https://www.nfi.edu/
Instagram: @nashvillefilminstitute

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

What's wabi sabi? Brad talked about searching for the human story in production, why you should keep your old gear, arranging strings for quartet vs section, staying on schedule and within budget, and why band playback is better than words.

My guest today is Brad Jones, a producer, engineer, mixer, and musician based in Nashville. With Robin Eaton Brad has co-owned the studio Alex the Great Recording since 1994. I started recording there a few years later as an assistant engineer in 1995, and Brad was the one who taught me the ropes of engineering and running a real session.

Brad’s credits include: Jill Sobule, Bobby Bare Jr., Butterfly Boucher, Hayes Carll, Caitlin Cary And Thad Cockrell, Steve Forbert, Government Cheese, Jason And The Scorchers, Josh Rouse, Ben Goldsmith, and The Shazam to name just a few.

Brad was an early guest on the show before on episode RSR034 which we recorded at Alex The Great and I’m happy to have him back joining me this time from my new podcast studio Ready To Rock (Thanks to James Tuttle) aka Podzilla Studio.

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Website Links:

RSR034 – BRAD JONES – ALEX THE GREAT
https://www.alexthegreatrecording.com/

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

"Keep the mix interesting for yourself!" Damian talked about simplifying and optimizing his home studio for fast writing, The ultimate input routing patchbay, the effect of loudness, recording drums, with two mics, and the mystical aspect of vibe.

My guest today is Damian Taylor is 10 x Grammy nominated producer, engineer, and mixer best known for his work with Bjork, The Prodigy, The Killers, Arcade Fire, UNKLE, TR/ST, Odette, The Temper Trap, City of the Sun, Bomba Estéreo, and Dizzy. He hosts an online community called The Complete Producer Network for folks to talk about all aspects of creating and releasing music. And he has been a guest on the podcast previously for episode RSR316 and RSR406.

Thanks to Colin Ramsay at GPS Management for making our original introduction.

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Website Links:

RSR406 – DAMIAN TAYLOR – MIXING, PRODUCTION, SYNTHS, AND SPEAKERS
RSR316 – DAMIAN TAYLOR – COLLABORATING WITH BJORK AND ARCADE FIRE
http://www.damiantaylor.com/
https://globalpositioningservices.net/damian-taylor/
https://www.twitch.tv/hereisdamian
https://www.completeproducer.net/
Instagram: @hereisdamian
X: @hereisdamian

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

"I don't go ham, bologna, turkey, on tuning vocals..." Greg talked about building studios, the importance of trying hard in music, adobe brick walls, double bass and drum bands, making mic pres, and how to record killer drums, bass, and guitars.

My guest today is Greg Norman, a recording producer/engineer and studio technician based out of Chicago, IL. In 1996, he started working at Electrical Audio, initially aiding in the design and construction of the two-studio complex in the north side of Chicago. A few years later, he built his own studio to keep up with the demands of recording projects outside of Electrical. 

Over the years, he has recorded over a hundred records as a staff member of Electrical Audio and traveled abroad as a freelance producer/engineer. Greg has also designed, consulted, and installed several studios in Chicago, throughout the states, and Canada. He has unique expertise in analog tape machine and console design and maintenance, which has become a dying art. He also designs, and manufactures custom recording studio equipment.

Greg has been a guest on the podcast before for episode RSR014 so please check that out and listen to his discography with the link below.

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Website Links:

RSR014 – GREG NORMAN – ELECTRICAL AUDIO & NORMAPHONE
RSR206 – STEVE ALBINI – HOW TO MIX A RECORD
RSR078 – STEVE ALBINI – ELECTRICAL AUDIO, RECORDING NIRVANA, & SHELLAC
www.normaphone.com
www.electricalaudio.com
Facebook: @electricalaudio
Instagram: @normaphone @electricalaudio
Youtube: @electricalaudioofficial

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

Will Ai ever understand emotion in music? Bobby talked about writing the Musician's Ai Handbook on how to write lyrics, chords, melodies, and beats, generate vocal tracks, mixing and master, create lyric videos, and market your music easily using Ai.

My guest today is Bobby Owsinski a Producer/engineer and one of the best-selling authors in the music industry with 24 books that are now staples in audio recording, music, and music business programs in colleges around the world, including The Mixing Engineer’s Handbook, Social Media Promotion For Musicians, and now The Musician’s Ai Handbook. 

He’s also a contributor to Forbes as a category expert on the new music business, his long-running production and music industry blogs have won numerous industry awards, and he’s appeared on CNN and ABC News as a music branding and audio expert. Bobby’s highly-rated Inner Circle podcast is now in its 10th year, with more than 500 episodes that feature mover and shaker guests from all parts of the music industry. 

He’s also recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the Apple Music Rock Chart.

Bobby has been a guest on the podcast on episode RSR010 and RSR395 and is back today to share how Ai can help us create, complete, publish, and promote our music from all the cool stuff he learned writing The Musician’s Ai Handbook.

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Website Links:

RSR395 – BOBBY OWSINSKI – ANSWERS ALL YOUR MIXING QUESTIONS
RSR010 – BOBBY OWSINSKI – 101 MIXING TRICKS
bobbyowsinskiblog.com
music3point0.com
bobbyoinnercircle.com
forbes.com/sites/bobbyowsinski
linkedin.com/in/bobbyo
Facebook: @bobby.owsinski
Instagram: @bobbyowsinski
Pinterest: @bobbyowsinski
Youtube: @polymedia
Twitter: @bobbyowsinski

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

The best ad for mixing was "Leave the door open!" Glenn talked about mixing at the Power Station and Sigma Sound, recording Madonna, Springsteen, U2, Talking Heads, Ziggy Marley, the birth of remixing, and renewing Fame Studios in Muscle Shoals.

My guest today is Glenn Rosenstein a Multi Grammy-winning producer, engineer, and mixer who began his music career at the legendary Power Station Recording Studio in NYC, assisting alongside some of the best producers, engineers as well as at New York’s historic Sigma Sound Studios where Glenn became a mixer and remix engineer, creating work for such artists as U2, Madonna, Talking Heads, The Ramones, Ziggy Marley, Lisa Lisa & Cult Jam, James Brown, Miles Davis and many others.

Glenn’s music production & mixes continue to be highly visible & diverse, from Whitney Woerz, Carly Simon and Earl “Chinna” Smith to James Taylor, Black Uhuru, Wes Sheffield and Bif Naked. He produced Benedictines Of Mary project for Decca/Universal which was Billboard Magazine’s #1 Classical release for the 2012 to 2013 holiday season.

As a producer, mixer, & engineer, Glenn’s projects have won 3 Grammy Awards, 5 Grammy nominations, an Oscar and a Golden Globe Award.

His work is responsible for record sales well in excess of 300 million units. His music production & mixing credits for film & television include The Sopranos, Celebrity Circus, The Last Emperor, Blown Away, Married To The Mob, Charmed, Beverly Hills 90210, All My Children and Buffy The Vampire Slayer. As both songwriter & producer, Glenn’s work with reggae artist Snow led to a chart-topping single in Canada.

In addition, Glenn has overseen production of a landmark multi-DVD project for Saturday Night Live‘s 25th Anniversary, producing the surround remixes and audio for 60 unique music performances, as well as 60 musical comedic sketches. This project features the live performances of Mariah Carey, Sting, Aretha Franklin, Metallica, Nirvana, Paul McCartney, Snoop Doggy Dog, Paul Simon, Alanis Morissette, James Brown and Bruce Springsteen, to name just a few.

Glenn has also partnered in the renovation and restoration of the historic Fame Recording Studios in Muscle Shoals AL, where he maintains a residence and studio and where we join you today. 

And last but not least I consider Glenn a longtime friend and mentor here in Nashville.

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Website Links:

https://glennr.com/#more

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya

Was Elvis the real phantom of the Opry? Bill talked about songwriting with artists over Zoom, writing for Mojo, the Brill Building in 1961, confederate ghosts, Crowded House, Jill Sobule, Tin Pan Alley, and finding inspiration in artwork & cartoons.

My guest today is Bill DeMain, a successful author, songwriter, journalist, tour guide, and musical historian who has been on the podcast previously for episode RSR200.

As one half of the pop duo Swan Dive, he has released ten acclaimed albums with his singing partner Molly Felder, enjoying several Top 5 singles and tours of Japan, Thailand and Korea. He’s also written songs for and with many other artists, including Curtis Stigers, Marshall Crenshaw, Teddy Thompson & Kelly Jones,  David Mead, Bleu, Kim Richey, Jill Sobule and Boo Hewerdine. His songs have appeared on TV shows like Sons of Anarchy, Private Practice, Felicity and The L Word, and in commercials for Laneige Cosmetics, Unicef and Sky Mobile.

Bill is also a much-published music journalist, who's written for MOJO, Uncut, Entertainment Weekly and Classic Rock. He has written five books, including 2017's Amazon best-seller Sgt. Pepper At 50, and two of collections of interviews with noted songwriters such as David Bowie, Stevie Nicks, Ray Charles, Dolly Parton, Barry Gibb, Kate Bush and Smokey Robinson. 

In addition, he is the owner of the music history walking tour Walkin' Nashville, a radio correspondent for BBC Glasgow and a cartoonist whose work has been published by Reader's Digest and Funny Times.

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Website Links:

RSR200 – BILL DEMAIN – SONGWRITING & INTERVIEWS WITH BURT BACHARACH, NEIL FINN, KEN SCOTT & DAVID BOWIE
https://billdemain.bandcamp.com/
Facebook: @SwanDive
Instagram: @walkinnashville1

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Liz Hulitskaya