We need more kettlebell! Josh talked about mixing in Studio One so your song sounds like a finished record, a healthy studio lifestyle and working routine, understanding compression, mixing dance kick and bass, and producing in Poland and Romania.

My guest today is Josh Harris an internationally known producer, composer, engineer, remixer and music industry educator. His credits include top artists like Seal, Madonna, The Killers, and James Murphy (LCD Soundsystem). His corporate clients include NBC, ABC, MTV, VH1 and USA Network. Classically trained as a pianist and composer, he has always focused on fusing different musical genres, resulting in memorable songs and productions that stay with you long after the first listen.

No stranger to working with major label recording artists, in 2008, Josh toured with Grammy award winning artist, Seal, as his musical director and keyboardist. In both 2007 and 2008, Josh received nominations from the International Dance Music Association (IDMA) for best remixer. In 2011, he engineered a remix of "Orpheus" (Quiet Carnival), by Sergio Mendes, that was nominated for a Grammy.

In addition to being a contributing composer for California-based music library, 21 South, Josh spends his time working on several original projects: 2 Saol, Room 111, Kosca.

Thank you to Roger Nichols for the introduction. Josh has been a guest on the show before on episode RSR054 talked about his musical background and has even joined me to teach mixing clinics both online and in person. Today we will talk about what's new in the studio and dive into some mixing and production advice for the home studio.

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Website Links:

RSR054- JOSH HARRIS – DEFINING HIS SOUND AS A REMIXER & STUDIO ONE EXPERT
joshharrismusic.com



Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Don't be afraid to grab the guitar when engineering! Warren talked about choosing the right mic for your studio, why modern mics sound so clean, giving back to the community, the future of the clicktrack, TEC award, the Beatles, and session players.

My guest today is Warren Huart an English record producer, musician, composer and recording engineer based in Los Angeles, California who is most associated as a music producer and/or engineer in the recording industry as a multi-platinum producer for The Fray, Daniel Powter, Marc Broussard, Trevor Hall, Korn, Better Than Ezra, James Blunt, Matisyahu, Ace Frehley, Aerosmith and Howie Day. 

His film and television credits include Inglourious Basterds, Transformers: Revenge of the Fallen, MTV’s The Hills, Lost, Scrubs, and Grey’s Anatomy. Huart is the owner of Spitfire Studio in Los Angeles, California, and runs a DIY YouTube Channel called "Produce Like a Pro" with over 670,000 subscribers worldwide. Warren is also an audio educator, and he won the 2019 NAMM TEC Awards for Audio Education Technology for his Produce Like a Pro website.

He has been a guest on the show on episode RSR064 talking about his background and recording tips like finding the best snare drum for rock and roll. I even had a chance to stop by his home studio in Laurel Canyon for a studio tour video in 2017. And today we will keep talking about whats new in the studio and mixing. 

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Website Links:

https://linktr.ee/producelikeapro
RSR064 – WARREN HUART – PRODUCE LIKE A PRO
Home Studio Recording - The Complete Guide by Warren Huart



Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

There's beauty in Blumlein! Wessel talked about the power of mixing quickly, trusting your gut before your ears, why you need great low end in monitoring, how to record double bass, the future of immersive sound and mixing to multiple busses.

My guest today is Wessel Oltheten a mixing and mastering engineer in the Netherlands, who has been on the podcast on episode RSR152 to talk about his mixing studio and philosophies. He is also a published author of the book Mixing With Impact on Focal press and teaches at  Utrecht University of the Arts. 

Wessel is very prolific and in 2021 was able to work on no less than 862 tracks. His discography sounds really great working with very cool bands like Dewolff, Pocket Knife Army, Black Oak, and many others. Whether it's art rock, electronic music, or singers up close and personal Wessel has the ability to make it sound great with his thoughtful mixing and mastering.

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Website Links:

RSR152 – WESSEL OLTHETEN – MIXING WITH IMPACT
www.wesseloltheten.nl/en
www.mixingwithimpact.com
www.facebook.com/w.oltheten/
www.instagram.com/wesseloltheten/



Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Can't have Too Much Joy in the studio? William talked about best practices for producing and recording vocals and guitars over the internet, mixing in Pro Tools like a console, Slate Raven, Stream Deck, Sound Flow, drums and his mix bus template.

My guest today is William Wittman, a Grammy Award-winning independent Producer/Engineer/Musician/Songwriter based in New York. He began his career as a musician and moved from there into work as a studio engineer and producer. He held the position of Chief Engineer at several major recording studios. As Producer and Engineer, his credits include the multi–platinum debuts from Cyndi Lauper, Joan Osborne, the Hooters, and The Outfield. 

His success as an independent producer led to several years as an A&R Vice President and Staff Producer at two major record labels (Sony/Columbia and BMG/RCA). As a musician, he has appeared on nationally televised shows including The Late Show with David Letterman, the Rosie O’Donnell Show, CBS Late Late Show, Ellen Degeneres, the NBC Christmas Tree Lighting Special, and New Year’s Eve in Times Square. 

He has also played and sung with many of the artists he has recorded and is a member of alternative rock band Too Much Joy (Giant/Discovery/Sire Records). He now plays bass guitar in the Cyndi Lauper Band, recording and touring internationally, and also serves as the Musical Director.

He is also a regular participant in the production expert website and podcast.

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Website Links:

https://weedywet.com/index.html
RSR126 – William Wittman – Multi Platinum Producer Mixer for Cyndi Lauper, The Outfield, The Fixx, The Hooters, and Joan Osborne


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

"Sonically good without the sonic soul is crap!" Michael talked about why it's the emotional stuff, not the technical stuff that makes a great mix, how to understand multi-bus mix compression, why plugins are fun, and mixing in Atmos on headphones.

My guest today is Michael Brauer a Grammy-winning New York mix engineer. His many credits include "Best Pop Vocal Album" for John Mayer's Continuum, "Best Alternative Album" for Coldplay's Parachutes, and also "Best Rock Album" for Coldplay's "Viva la Vida or Death and All His Friends". Other artists include The Rolling Stones, Aerosmith, Jeff Buckley, David Byrne, Paul McCartney, Ben Folds, KT Tunstall, and Martha Wainwright. He also invented the technique known as 'Brauerizing', in which mixes are routed through multiple compressors and busses to create a blended sound. And he is a co-founder of Mix With The Masters which has been running for over a decade. 

Michael has been a guest on the show previously to talk about his background in music and mixing so please chack out that episode at RSR300. And at that time he had relocated outside the heart of the city in NY to settle into his home studio for mixing. He also completed his journey of migrating his mix template over from a hybrid setup to a full “in the box” method with the help of his engineer Fernando Reyes. Michael created a fantastic course on Puremix.net called Brauerize ITB to teach his mixing setup so you can recreate the whole thing in your home studio if you choose. 

So I am excited to have Michael joining us to talk about his philosophy of mixing and the migration over to mixing “in the box”.

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Website Links:

RSR300 – Michael Brauer – How to Design Your Own Mix Template in the Box
https://www.mbrauer.com/
https://reverb.com/shop/soundtowers
Instagram
Twitter
Facebook

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Who wants 20 drum mics? Danny talked about how to mix drums with samples, why a bass amp is best, mixing in Atmos, the Tascam cassette eight-track, how to use compression, and why you should put a single Coles 4038 over the drummer's right shoulder.

My guest today is Danny Reisch a multi-instrumentalist writer, producer, engineer, and studio owner. Originally from Texas, Danny built an incredibly successful recording studio called Good Danny's, where he began to establish himself as a world class producer and engineer. Since then, Danny has moved to LA to pursue more opportunities, including film and TV mixing. Recently, Danny has just finished mixing for the Local Natives EP, as well as LP's for Bayonne and Barns Courtney. In the film scene, Danny has just wrapped score mixing for Disneys "Peter Pan" and Wendy, as well as AMC's new show "Interview With The Vampire"

Thanks to Kelle Musgrave Glanzbergh at Linear Management for the introduction.

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Website Links:

Instagram: gooddanny's
https://linearmanagement.com/

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Nashville tuning for rock guitars? Dave talked about shooting out vocal mics, recording overheads from the drummer's perspective, mixing the Jayhawks for Rick Rubin, starting at Oceanway Studios, click tracks, perfect hand claps, and mixing in Atmos.

My guest today is Dave Schiffman a Grammy winner and Multi–Platinum selling producer, mixer, and engineer came up the ranks as Rick Rubin’s engineer. Together they produced monster hits such as Red Hot Chili Peppers’ ‘Californication’, System Of A Down’s ‘Toxicity’, which reached # 1 on Billboard, certified double platinum, and earned multiple awards and nominations. They also produced ‘Hypnotize’ which once again hit Billboard #1 and led the band to be the first-ever rock outfit to have two #1 LPs in one year.

Dave’s production and mixes have topped the charts recently with The Strumbellas Hope from which the single ‘Spirits’ hit #1 on the Billboard Alternative charts, took home the Juno Award for Single of the Year (2016), received an iHeart Radio’s Best New Artist nomination, and won Much Music’s Best Alternative Video. Dave produced Pup’s 2019 ‘Morbid Stuff’ which debuted #1 on multiple Billboard charts including Rock, Heatseekers, Alternative, and Independent Albums – it also landed at #14 on Billboard top 200 charts. The album went on to be shortlisted for the prestigious Canadian Juno Award for Album of The Year. Dave has also worked on Smashing Pumpkins’ latest album CYR, The Killers’ critically acclaimed LP Imploding The Mirage, Grammy Award-winning album Father Of The Bride by Vampire Weekend, and Haim’s Days Are Gone, which reached #2 on both the Billboard top Rock and Alternative charts.

Thank you to Kelle Musgrave Glanzbergh at Linear Management for the introduction.

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Website Links:
https://atyourside.wixsite.com/mysite-1
Facebook
Instagram


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

"Does it go to eleven?" Paul talked about why level matching sucks for a real studio session, Recreating classic doubler and flanger plugins, designing immersive analog consoles, and why you should mix in 7.4.1.

My guest today is Paul Wolff.

In his own words - “In 1972, I was hanging out at a local TV shop, a guy comes in with a Strat with "no sound". The shop owner had no clue, I pulled the jack out and fixed it, the guitar player said "from now on, your name will be FIX…". That was the beginning of my course on the road to the studio to designing. Both parents were in Big Bands during the 40’s, and later my Father was a civil engineer and my mother was a custom jeweler.

A club in Washington DC called the Bayou, I did FOH for such bands as Foreigner, Dire Straits, Pat Benatar, etc. I was the FOH for many showcase bands attempting to get signed.

In June of 1985, I was offered API at a very low price because the current owners wanted to trim the assets so sell the whole company. I purchased the company and opened in a 20X30 foot office, and received a phone call from a guy named Shelly Yakus, looking for API 560 equalizers. Shelly was my first customer and has remained a good friend since. We were a company that grew without any kind of credit line, as we were self funded. Later I sold API and In 2005 I started Tonelux and then in 2012 started FIX Audio Designs, LLC, to make consoles again….

The current product line includes a Stereo input module, a 5.1 input module and an Immersive input module with Object Sends. I am currently the only company in the world making analog Immersive consoles. The console can be fitted with any op-amp/transformer combination to get any console tone you desire. The Stereo input module allows you to choose 3 different tones, and each of the 3 mix busses can have any op amp transformer. The stereo module also has a DAW monitor loop, much like an inline console.

I have also designed products like the Tony Shepperd/A-Designs MIX Factory, The Sunset Sound Tutti Mic Pre, A Lindell input module with EQ and a compressor, Analog Alien EPI universal pedal interface, the Slate VMS1 Mic Pre, the Slate Control monitor system, The new Slate Audio Monitor system, and was involved in the new Slate Audio VSX headphone system.”

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Website Links:
www.fixaudiodesigns.com
www.fixaudiostore.com
@fixaudiodesigns


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

How big and fat is your snare? Jon talked about getting great drums sounds, ribbon vs condenser overhead mics, miking guitar amps, shopping bands to labels, calibrating the console for mixing from Pro Tools, and getting the kick and bass phase right.

My guest today is Jon Fintel a producer/engineer in Columbus, Ohio and owner of Relay Recording studio. Way Yes, The Worn Flints, Snarls, Girl Fox, and Mark Lomax are just a few of the artists that have worked with Jon at Relay.

Jon has been a guest on the show on episode RSR199 to share his backstory and talk about recording at Relay Recording Studio. Today we will talk about what's new at the studio and dive into more recording and mixing tips for your studio.

Thanks again to Jason Knox for making our original introduction.

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Website Links:
RSR199 – JON FINTEL – RECORDING AWESOME INDIE ROCK AND JAZZ IN COLUMBUS OH
https://www.instagram.com/relayrecording/
https://www.facebook.com/RelayRecording/
https://www.facebook.com/jon.fintel


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Should you buy 10 of everything you need? Larry talked about Jackpot! Recording Studio, recording and archiving Elliott Smith's music catalog, mixing on a console vs Pro Tools, recording a song quickly, and audio restoration tips in iZotope RX.

My guest today is Larry Crane the founder of Tape Op Magazine, and owner of Jackpot! Recording Studio, a producer/engineer/mixer, and a recording arts educator. He has been on the podcast previously to talk about starting out in a band, launching the magazine TapeOp, producing records and mixing at Jackpot! Recording Studio, Recording and curating the musical archives of Elliott Smith, and lots of other fun stuff.

Today we will talk about what's new in the studio, various archival/restoration jobs, and more recording and mixing insights.

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Website Links:
RSR247 – Larry Crane – How To Get A Pro Mix While Avoiding Common Mixing Mistakes
RSR051 – Larry Crane – Tape Op Magazine and Jackpot! Recording Studio
Instagram: larry_crane_producer
Twitter: LCraneTapeOp
https://larry-crane.com/
https://jackpotrecording.com/
https://tapeop.com/
https://vomitlaunch.com/


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson