Tag Archives for " recording studio "

Chris talked about the smart way to start a mix, recording Jeff Buckley, Public Enemy, playing bass with De La Soul and LL Cool J, lessons learned from Ric Ocasek and Mutt Lange, when to fire and hire a new assistant, and much more!

My guest today is Chris Shaw a four-time Grammy Award-winning American producer, engineer, mixer, and musician. Beginning his career at Greene Street Recording, he quickly worked his way from his start as an NYU intern, to assistant engineer, to a position as a staff engineer working with influential hip-hop artists such as Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J.

In 1991 he played bass with LL Cool J on his famous performance on MTV Unplugged (along with De La Soul, MC Lyte, and A Tribe Called Quest). He went independent shortly after and has since made records with Weezer, Wilco, Bob Dylan, Ween, Jeff Buckley, Soul Asylum, Sheryl Crow, Super Furry Animals, Death Cab For Cutie, Lou Reed, Bad Brains, Ric Ocasek, Cheap Trick, Elvis Perkins, Joss Stone, The Meat Puppets, Nada Surf, Dashboard Confessional, and The Derek Trucks Band. He has worked on six of Rolling Stone's "500 greatest Records of All Time".

Originally based in New York, Chris relocated to the Austin, Texas area in 2013.

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Howard talked about recording guitars with Billy Corgan and the Smashing Pumpkins, piano for Sara Bareilles Love Song, discovering the impressionistic magic for a record, tracking vocals with Sheryl Crow and Bob Clearmountain, and much more.

My guest today is Howard Willing a Nashville based engineer/producer/mixer previously from LA where he made records for 22 years. He was also A&R at Capitol Records and has worked with an amazing list of artists including Sara Bareilles, Linda Ronstadt, Ok Go, Sheryl Crow, Dean Martin and Scarlett Johansen, Glen Cambell, Counting Crows, American Idol, Liz Phair, Smashing Pumpkins, Mute Math, Van Hunt, 2 Pac, and Snoop Dog among many others.

Thanks so much to Brad Wood for making our introduction.

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Bobby talked about mixing professionally on an SSL console and in Pro Tools, how to select the perfect monitors for your studio, how to set up your Pro Tools mixing routing for printing multiple mixes at once, editing and mixing drums and much more.

My guest today is Bobby Holland a Grammy-nominated producer, engineer, mixer, and multi-instrumentalist from Nashville, Tennessee with a career spanning many genres and over 15,000 songs. Based out of Studio A at Pentavarit Studios in Berry Hill, Bobby has produced, recorded, and mixed records for Kesha, Maggie Rose, ZZ Ward, Sean McConnell, Vaudeville Smash, Them Vibes, and countless others.

Bobby was a guest on the podcast for episode RSR079 when we talked about his background and production. Today we’re going to focus on mixing and learn what we can about getting great mixes in the box.

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Cheyenne talked about writing songs and finding your own lyrical voice, knowing what to write about, making a living as a song writer, and mixing with templates and referencing, plus The Artist Way and The War Of Art.

My guest today is Cheyenne Medders a singer-songwriter, producer and musician living in Nashville. Originally from North Georgia and taught guitar by his father, Cheyenne started writing songs and playing music with his brothers as a young teenager. In 2005 he moved to Nashville, where he produces his own music and helps other artists bring their ideas to life. 

Cheyenne co-wrote songs on The Secret Sisters' Grammy -nominated album You Don't Own Me Anymore as well as Ward Thomas' UK #1 album Cartwheels. He collaborates with Allie Farris as FM and Sara Beth Go as Geographi, and his brothers Carson and Will Medders as The Medders. 

He is a member of indie rock band The Nobility, and produces lo-fi electronic music under the name Bellbear. He is a member of the Real Sword music collective in Nashville. Cheyenne runs a home studio called Departure Room and has produced, mixed, written on, played on or otherwise worked on recordings by The Secret Sisters, Sarah Darling, The Kernal, James Paul Mitchell, Z Swann, Jude Smith, Svrcina and more. In 2019 he released 3 new singles from his upcoming full-length album Sapphired Up, due in February 2020.

I actually met Cheyenne through his uncle’s studio designed by Carl Tatzwhich I was checking out back when I wanted to build my own studio. In fact, I got my design for the loft above the control room from there. 

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Glenn talked about making heavy metal records at Spectre Sound Studios, taking his Youtube channel from the zero to 350k subscribers, why you shouldn't cup the mic, how to get awesome metal guitar recordings and more!

My guest today is Glenn Fricker a musician, and engineer, and host of a very successful Youtube channel at Spectre Sound Studios where he teaches great insights into recording and mixing heavy metal, and offers fearless and ruthless gear reviews.

Glenn loves making records, and after doing it for sixteen years, he wanted to pass on what he learned through tutorials on how to record guitar, bass, real drums and vocals.  You will find reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, and plugin effects.  

Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found at Spectre Sound Studios. Glenn also designs guitar pedals design releasing the Cock Blocker gate to create perfectly tight heavy guitar performances.

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Doug talked about starting out with Dan Huff, ideal headphones mixes for tracking sessions, tips for recording brass and string sections, and his basic Pro Tools mix template for every session.

My guest today is Doug Sarrett a Nashville-based Independent Audio Engineer. He came to Nashville to attend Belmont University and has worked steadily in Nashville Recording Studios for over 30 years. Doug is also the owner of Uno Mas Studio in Brentwood, TN.

A brief list of some of the artists Doug has worked with: U2, Paul McCartney, Bruce Springsteen, Aretha Franklin, One Republic, Vince Gill, Micheal McDonald, Amy Grant, Switchfoot, Glen Campbell, Micheal W. Smith, CeCe Winans, Shirley Jones (Mom Partidge), Lynda Carter (Wonder Woman), The Oak Ridge Boys, and tons of others!

I met Doug recently at a Nashville engineers lunch event (thanks again Mark Rubel!) and when I checked out Doug’s website and work I was really blown away. So here we are 🙂

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Adam talked about sharing a five room studio at Pentavarit, using virtual and analog synth and avoiding latency, the ideal setup for including synths in your studio, how to mix live and sampled drums. Plus lots more!

My guest today is Adam Bokesch a Nashville writer, recording engineer and producer. He has worked as a touring and session drummer as well as a studio owner engineer and music producer. He has worked with many artists including Emily West, Chely Wright, Drake White, Jon McLaughlin, Dave Barnes, Gabe Dixon, Marie Hines, Milktooth, and The Daybreaks.  

He also pursues his solo artist career writing and recording music for film and tv including movies starring James Franco, Abigail Spencer, Wes Robinson and others. His music has been featured in Paste Magazine and used in national campaigns with Microsoft, ESPN, Ameritrade, MTV, Sony, Triumph Motorcycles, Tesla Motors and the World Wildlife Foundation.

From my initial introduction to Adam, it was clear that he is passionate about the electronic side of music production too and loves vintage keyboards. So I’m looking forward to geeking out on some synth talk today too.

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Grant talked about recording at HearTell Studios in Muscle Shoals , recording bass guitar tips, Nashville Numbers chart writing, and lessons learned from mentors like Dave Pensado and Craig Alvin. Plus lots more!

My guest today is Grant Walden a music producer, audio engineer, multi-instrumentalist, singer, songwriter, studio owner, and host of Tape Noise Podcasts. Grant has worked with Grammy-winning studio musicians, audio engineers, and recording artists, including Denny Laine of The Moody Blues and Wings; Jimmy Hall of Wet Willie and Jeff Beck Band; Christine Ohlman of the Saturday Night Live Band; Rock & Roll Hall of Fame member, keys player and songwriter Spooner Oldham; the legendary Muscle Shoals Horns and rhythm section the Swampers; Hanson, and a host of groundbreaking performing artists.

He has also been mentored by notable engineers and producers, including Dave Pensado, Jim Gaines, Toby Wright, Craig Alvin, and Jerry Masters and his latest projects include records by Jimbo Mathus of the Squirrel Nut Zippers, Invisible Teardrops, Sailour, and Eddie Martin.

Grant also owns HearTell Studios and Publishing based in Studio C at Cypress Moon in Sheffield, AL -- formerly the home of Muscle Shoals Sound II, where legendary artists like Bob Dylan, Bob Seger, and Julian Lennon have all recorded.

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Richard talked about mixing, getting the most out of fewer drum mics, getting a killer bass sound, Mike Cambell's guitar amp miking trick, and the power of mixing in mono. Plus a ton of cool insights into mixing.

My guest today is Richard Dodd, A multi-platinum Grammy-winning producer, recording engineer, and mastering engineer with 40 years of amazing credits to his discography. Richard has worked with a long list of artists including Boz Scaggs, George Harrison, Roy Orbison, Wilco, Green Day, Steve Earle, Delbert McClinton, Robert Plant, Roger Daltry, the Travelling Wilburys, Tom Petty & The Heartbreakers, Freddie Mercury to name just a few. 

Richard was on the podcast previously for episode RSR096 where we got an introduction to his background story. So on this episode, I thought we would try to focus on mixing. 

One of the skills that Richard said he aspires to in recording is learning to stay out of the way and not screw up what the artist is wanting to create. With that in mind, I know Richard can be bold in his mixing and mastering choices. So I’m excited to learn more about his thoughts on creating compelling and memorable records.

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