What does it take to build the ultimate dream studio? Grammy-winning producer, engineer, and guitarist David Kalmusky returns to the show to share his journey of designing Addiction Sound Studios and how it’s shaped his approach to music production. Known for his work with John Oates, Journey, Shawn Mendes, and many more, David talks about the importance of studio setups, the magic of drums and microphones in recording, and how technology has changed the way we make records.
We talked about drive-by sessions, archiving sounds for future inspiration, and why it matters to always have gear ready to capture a great performance. David also reflected on Nashville’s rich musical history, the legacy of instruments, and personal connections with legendary artists.
In the second half, we talked about quality over quantity when it comes to instruments, the creative use of high-strung guitars, and the process of setting up an Atmos room for immersive mixing. David shared his thoughts on curating a creative space, navigating sound libraries, and how streaming has impacted music careers. We also got into the business side of things—like understanding royalties and publishing—and why internships can be such a valuable path for new producers.
It was great to catch up with David and hear what he’s been working on—lots of cool stuff in this episode.

My guest today is David Kalmusky, a Multi-Diamond producer, songwriter, guitarist, mixer, and engineer. His credits include Joss Stone, Shawn Mendes, Carrie Underwood, John Legend, Keith Urban, Mickey Guyton, Mötley Crüe, Nate Smith, Warren Zeiders, Parmalee, Rita Wilson, K. Michelle, and many more. By 2025, his catalog has amassed over 40 billion streams.

Let me know if you’d like any tweaks!
Dave has been a guest on the podcast in episodes RSR052 and RSR371.

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Website Links:

RSR371- David Kalmusky – Pro Tips for Playing and Recording Guitar From Owner of Addiction Studio
RSR052 – David Kalmusky – Recording Journey and Addiction Sound Studios

www.kalmusky.com

Facebook: @kalmusky
Instagram: @kalmusky
TikTok: @kalmusky

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

What’s the secret to crafting a killer mix? Grammy-winning mix engineer Collin Dupuis joins us to share his insights on mixing techniques, room acoustics, and creative chaos. Known for working with The Black Keys, Lana Del Rey, Angel Olsen, he discusses the evolution of music gear, collaboration, experimentation, clarity in mixing, effective file management, and tools like Soundflow and Samply that streamline workflow. Collin talks about vintage recording equipment, the revival of classic multitrack tapes, and automation in modern mixing. He shares experiences with in-person learning, challenges working with musicians of varying skill levels, techniques for enhancing drum sounds, the importance of headphone mixes for drummers, microphone choices and design, and the historical impact of Stevens tape machines. From live-to-two-track recording to innovative mixing, Collin offers valuable insights into pushing creative boundaries.

My guest today is Collin Dupuis, a Detroit-based multi-Grammy nominated and two time Grammy winning mixer, producer, and musician working with artists like Yves Tumor, Angel Olsen, Lawrence Rothman, Special Interest, Boy and Bear, and many others. He also plays drums in his band Zoos of Berlin.

In 2024, Collin came to my studio to teach a mixing masterclass that was a ton of fun. We had a full studio of dedicated producers and engineers from near and far. We learned a ton about Collin's sophisticated mixing method, including a better understanding of how a mix template can work in your home studio and a deep dive into RX and how it can improve your mixes.

Collin has been a guest on the podcast in episodes RSR252, RSR341 and RSR404.

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Website Links:

RSR404 – Collin Dupuis – Philosophy and Techniques for Mixing in Pro Tools
RSR341 – Collin Dupuis – Mixing Angel Olsen, Lana Del Ray, Yves Tumor
RSR252 – Collin Dupuis – Stuff You Need To Know To Make Great Records

www.collindupuis.com

Facebook: @CollinDupuisMakingRecords
Instagram: @collin_dupuis_mixes
X: @collindupuis

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

In this episode of Recording Studio Rockstars, I sat down with the legendary David Botrill—Grammy-winning producer and engineer behind iconic albums by Tool, Peter Gabriel, King Crimson, Muse, and more.

David’s journey began in a small Canadian studio run by Bob Lanois, where he learned to be indispensable in the room. From there, he went on to work with Daniel Lanois, Peter Gabriel, and Real World Studios before stepping out on his own.

We talk about:
The evolution of his ambient and world music influences
Building a custom studio for Atmos mixing
Embracing imperfection in music
Band dynamics, remote collaboration, and pre-production tips
His hands-on carpentry work and how it shapes his approach to sound.

This episode is packed with wisdom for producers, engineers, and anyone passionate about capturing real emotion in the studio. Don’t miss this conversation with one of the greats!

My guest today is David Bottrill, a three time Grammy Award winning Producer/Engineer/Mixer and has had over 15 million copies of his work sold worldwide. He has worked with a diverse spectrum of prolific artists, such as Peter Gabriel, Smashing Pumpkins, Tool, Muse, Silverchair, King Crimson, Godsmack. and Rush. David has also worked with some of the most influential world musicians, noteably Youssou N’dour and Baaba Maal of Senegal, and Nusrat Fateh Ali Khan of Pakistan.

David spent 20 years living in the UK, followed by a term in New York, but has settled back in Canada, where he has a mixing studio. Even still, David still spends much of his time working in the US and abroad.

Thanks to Brian Murphree at SoundPorter Mastering for making this happen!

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Website Links:

www.davidbottrill.com

Facebook: @dbottrill4
Instagram: @davidbottrillofficial
Youtube: @davidbottrillofficial

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Is AI changing the future of music production? In this episode, I sit down with Bobby Owsinski, renowned producer, author, and music industry expert, to explore the evolving role of AI, mastering, and the creative process. We dive into the latest edition of Owsinski’s Mastering Engineer’s Handbook, the importance of reference tracks, and the challenges of self-mastering.
Our conversation covers the adaptability of professional songwriters, the resurgence of traditional song structures like bridges, and essential mixing techniques. We also discuss the significance of mono mixing, the roles of engineers and producers, and how the legacy of the music industry continues to shape modern production.
Bobby and I explore the fallibility of memory in music history, the evolution of guitar tone and equipment, and the impact of technology on sound. We discuss the future of immersive audio, particularly in theatrical settings, and share insights on discovering new music, staying engaged with diverse sounds, and the importance of content creation and organization.
If you’re looking for expert insights on mastering, mixing, and navigating the changing landscape of music production, this episode is packed with valuable takeaways!

My guest today is producer and engineer Bobby Owsinski, one of the best-selling authors in the music industry, with 24 books that have become staples in audio recording, music, and music business programs worldwide. His titles include The Mixing Engineer’s Handbook, The Music Business Advice Book, and The Musician’s AI Handbook. A contributor to Forbes as a category expert on the new music business, Bobby’s industry blogs have won numerous awards, and he’s appeared on CNN and ABC News as a music branding and audio expert. His highly-rated Inner Circle podcast is now in its 10th year, with over 500 episodes featuring top guests from across the music industry.

Bobby Owsinski was featured in RSR010, RSR395 and RSR458 episodes.

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Website Links:

RSR458 – Bobby Owsinski – Tips From Musician’s Ai Handbook to Enhance And Promote Your Music With Artificial Intelligence
RSR395 – Bobby Owsinski – Answers All Your Mixing Questions
RSR010 – Bobby Owsinski – 101 Mixing Tricks

bobbyowsinskiblog.com
music3point0.com
bobbyoinnercircle.com
forbes.com/sites/bobbyowsinski
linkedin.com/in/bobbyo

Facebook: @bobby.owsinski
Instagram: @bobbyowsinski
Pinterest: @bobbyowsinski
Youtube: @polymedia
X: @bobbyowsinski

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

In this episode of Recording Studio Rockstars, Lij Shaw and Dr. Ford explore what really goes into music production—from songwriting and vocal techniques to how social media is shaping the industry. They discuss the importance of staying flexible, much like in jiu-jitsu, and how AI can be a helpful tool while still emphasizing the human touch. Dr. Ford shares stories from his journey, including studio setup, maintaining health, and balancing creativity with hustle. It’s a conversation about teamwork, adaptability, and pursuing what truly makes you passionate about music and life. Tune in for an insightful and inspiring discussion on making great music today.

My guest today is Daniel Robert Ford, also known as "Dr. Ford," an 11-time award-winning and 8-time iTunes #1 record producer and mixer. Originally from the San Francisco Bay Area, he studied at Musicians Institute in Hollywood before making Nashville his home. With a passion for country music and working directly with artists, Dr. Ford has built a successful career producing records for clients in Nashville and internationally. Now, with the opening of his second commercial studio, he continues to expand his reach. Outside the studio, he’s an avid weightlifter and a purple belt in Jiu-Jitsu at Gracie Barra Franklin.

Dr Ford has been a guest on the podcast in episodes RSR136, 218 and 367.

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Website Links:

RSR367 – Daniel Ford aka Dr Ford – Award Winning Mixing Tips and Marketing Strategies for Your Studio
RSR218 – Dr Ford – How to Mix in a Pro or Home Studio from an Award Winning Mixer
RSR136 – Daniel Ford – The Secrets To Hip Hop, LCR Mixing, Powerful Vocals, And Studio Biz

www.drford.com

Facebook: @drfordproducer
Youtube: @DrFordMusic
Instagram: @drfordmusic
X: @drfordmusic
TikTok: @drfordmusic

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Rockstars, in this episode, I’m hanging with four-time Grammy-winning producer, engineer, and mixer Chris Shaw for a deep dive into the craft of recording and mixing. We talk about his journey in the industry, his unique mixing setup, and the balance between analog and digital workflows. Chris shares insights on managing plugins, keeping a solid recording system, and the nuances of working with tape—covering everything from compression and dynamic range to how MIDI triggers fit into a mix.
We also dig into the challenges of mixing live recordings, working on Bob Dylan’s archival material, and the evolution of recording technology. Chris breaks down workflow efficiency, the importance of pre-production, and how tools like iZotope RX help clean up tracks. Plus, we touch on the role of machine learning in music production and the art of capturing a performance’s true feel in the final mix.
Chris shares stories from working with legends like Ice Cube and Public Enemy, techniques for dialing in signature guitar tones, and how looping has changed over the years. Whether you’re in a pro studio or working from home, this episode is packed with tips and insights to level up your mixes!

My guest today is Chris Shaw, a four-time Grammy-winning producer, engineer, mixer, and musician. Starting at Greene Street Recording, he quickly rose from an NYU intern to staff engineer, working with hip-hop legends like Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991, he played bass with LL Cool J on MTV Unplugged. Going independent, he’s since worked with artists like Weezer, Wilco, Bob Dylan, Jeff Buckley, Sheryl Crow, Death Cab for Cutie, and more. His work appears on six of Rolling Stone’s "500 Greatest Albums of All Time." Originally from New York, Chris relocated to Austin in 2014.

Chris Shaw has been a guest on the podcast in RSR246 episode.

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Website Links:

RSR246 – Chris Shaw – Recording and Mixing with Public Enemy, Weezer, Ric Ocasek, and Jeff Buckley

www.chrisshawmix.com

Facebook: @chrisshawmix
Instagram: @chrisshawmix
X: @chrisshawmix

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Bob Bullock’s mixed more hits than a jukebox, with 40+ years in the biz and 50+ gold & platinum credits. He’s redesigned his studio three times with Carl Tatz, teaches at Belmont & SAE, and knows the magic of great acoustics, collaboration, and staying ahead of the mix!

My guest today is Bob Bullock, an acclaimed engineer and producer who began his career in Los Angeles training under legends like Humberto Gatica, Reggie Dozier, and Roger Nichols. He quickly worked with top acts such as The Tubes, Art Garfunkel, REO Speedwagon, and Chick Corea before moving to Nashville, where he earned over 50 gold and platinum credits with artists like Shania Twain, George Strait, Reba McEntire, and Hank Williams Jr.

With a 40-year career spanning engineering, producing, and artist development, Bob has worked with legends like Kenny Chesney, Loretta Lynn, and Keith Urban while also focusing on independent artists worldwide. He now shares his expertise through teaching at Belmont University, SAE, and other institutions.

Bob has been a guest on the podcast on episodes RSR055 and RSR369.

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Website Links:

RSR369 – Bob Bullock – Saving Fleetwood Mac Rumours & Ruminating About Mixing Fleetly on a Mac
RSR055 – Bob Bullock – Recording Crazy Horse, Chick Corea, & Steely Dan

https://bobbullock.net/
https://youtube.com/playlist?list=PLE73B5A5EB34AC7D4&si=otnrsyl7ZSkDgCGS

Facebook: @newwestproductions
Youtube: @robertbullock12

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Get ready to rock the world of immersive audio with award-winning producer and mixing engineer Justin Gray! In this episode, we explore his journey from bassist to pioneer in Dolby Atmos and Sony 360, uncovering spatial sound's creative and technical magic. Justin shares his innovative recording techniques, the importance of capturing music in 3D space, and the evolving role of musicians in the process. We also discuss the challenges of funding music in Canada, how to get started with Atmos in a home studio, and the power of remote collaboration. Plus, Justin drops some golden advice for aspiring producers on embracing their creative identity. Don't miss this one, Rockstars!

My guest today is Justin Gray, an award-winning producer, mixing, and mastering engineer based in Toronto, Canada. Justin is a leader in immersive audio music production, working with artists, producers, and labels worldwide to bring their music to life in Dolby Atmos and Sony 360 Reality Audio.

He has worked across a wide range of musical styles with artists like Snoop Dogg, Olivia Rodrigo, Brandy, Carlos Santana, Arkells, The Sheepdogs, Valley, Mother Mother, Jann Arden, Blackbear, Christina Perri, Orville Peck, and many more.

Justin runs his own studio, Justin Gray Sound & Immersive Mastering, one of the first Dolby Atmos and Sony 360RA-certified music studios in Canada. He’s also a faculty member at Humber College, where he teaches audio production, composition, and music performance.

Thank you to Matt Boudreau for the introduction!

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Website Links:

https://justingraysound.com/

Instagram: @justingraysound
Facebook: @justingraysound
Youtube: @justingraysound

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

In this episode, Lij Shaw chats with Ben Sabin, founder of Trace Audio, about his journey from Shangri-La Studio with Rick Rubin to wiring up some of the best studios in the biz. They dive deep into the mystical world of cables, the magic of patch bays, and why good studio wiring is like rock ‘n’ roll feng shui — get it right, and everything just flows!

Ben shares cool stories from his intern days, working with legends like Neil Young, and the hard-earned lessons of studio troubleshooting. They break down balanced vs. unbalanced audio, why your patch bay might be sabotaging your creativity, and how to future-proof your studio setup. Plus, if you’ve ever wondered how to avoid a spaghetti mess of cables, this episode is for you!

My guest today is Ben Sabin. He got his start at Shangri-La with Rick Rubin, where he saw top artists and engineers work at the highest level. He then split time between Shangri-La and Groove Masters, helping rewire tie lines, patchbays, and converters—sparking his passion for cabling and studio workflow. He also worked alongside legendary studio tech Pat Schneider on servicing and repairs.

In 2018, he helped LA producer Colin Cunningham set up patchbays and streamline his growing outboard gear collection. He then worked in live sound, gaining hands-on troubleshooting experience. In 2019, he founded Trace Audio, focusing on CAPI gear and custom cabling, relocating to Nashville, where it’s now a full-time business serving top industry clients.

Ben also rewired my studio, The Toy Box Studio, and I quickly saw how much we could learn from him—so I had to invite him on the podcast to talk about creatin the best setup for your studio. In fact, you’re hearing our voices right now through Trace Audio cables!

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Website Links:

https://traceaudio.com/
https://traceaudio.com/pages/clients

Instagram: @trace_audio_official
Facebook: @TraceAudioOfficial

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya

Rockstars, get ready to crank it up! This episode, I’m hanging with Adam Krinsky of Bellows Studio, diving into touring, studio life, and keeping that work-life balance tight. We talk studio humidity (yep, it matters!), live recording chaos, and dream studio setups!

My guest today is Adam Krinsky, starting his music career in Minneapolis, at the Institute of Production and Recording. While still a student, he recorded and mixed an album for The Alarmists, gaining local recognition. After graduating, he worked as an assistant engineer at Master Mix Studios under Grammy-winning Tom Tucker and later started teaching at the Minneapolis Media Institute and touring as a FOH mixer for artists like Mason Jennings, Iris Dement, and Dave Simonett. Today, he runs Bellows Studio in St. Paul and mixes live for Trampled by Turtles. Whether in the studio or on the road, he’s always mixing.

Adam Krinsky has been a guest of the podcast on RSR307 where you can hear his backstory.

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Website Links:

RSR307 – Adam Krinsky – Mixing Studio and FOH In Minneapolis MN for Trampled By Turtles

www.adamkrinsky.com

Instagram: @bellows_stp @k_rinks
Facebook: @adam.krinsky
X: @adamkrinsky

Additional podcast editing and production by:
Vlad Vasilcenko
Liz Hulitskaya