There's beauty in Blumlein! Wessel talked about the power of mixing quickly, trusting your gut before your ears, why you need great low end in monitoring, how to record double bass, the future of immersive sound and mixing to multiple busses.

My guest today is Wessel Oltheten a mixing and mastering engineer in the Netherlands, who has been on the podcast on episode RSR152 to talk about his mixing studio and philosophies. He is also a published author of the book Mixing With Impact on Focal press and teaches at  Utrecht University of the Arts. 

Wessel is very prolific and in 2021 was able to work on no less than 862 tracks. His discography sounds really great working with very cool bands like Dewolff, Pocket Knife Army, Black Oak, and many others. Whether it's art rock, electronic music, or singers up close and personal Wessel has the ability to make it sound great with his thoughtful mixing and mastering.

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Website Links:

RSR152 – WESSEL OLTHETEN – MIXING WITH IMPACT
www.wesseloltheten.nl/en
www.mixingwithimpact.com
www.facebook.com/w.oltheten/
www.instagram.com/wesseloltheten/



Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Can't have Too Much Joy in the studio? William talked about best practices for producing and recording vocals and guitars over the internet, mixing in Pro Tools like a console, Slate Raven, Stream Deck, Sound Flow, drums and his mix bus template.

My guest today is William Wittman, a Grammy Award-winning independent Producer/Engineer/Musician/Songwriter based in New York. He began his career as a musician and moved from there into work as a studio engineer and producer. He held the position of Chief Engineer at several major recording studios. As Producer and Engineer, his credits include the multi–platinum debuts from Cyndi Lauper, Joan Osborne, the Hooters, and The Outfield. 

His success as an independent producer led to several years as an A&R Vice President and Staff Producer at two major record labels (Sony/Columbia and BMG/RCA). As a musician, he has appeared on nationally televised shows including The Late Show with David Letterman, the Rosie O’Donnell Show, CBS Late Late Show, Ellen Degeneres, the NBC Christmas Tree Lighting Special, and New Year’s Eve in Times Square. 

He has also played and sung with many of the artists he has recorded and is a member of alternative rock band Too Much Joy (Giant/Discovery/Sire Records). He now plays bass guitar in the Cyndi Lauper Band, recording and touring internationally, and also serves as the Musical Director.

He is also a regular participant in the production expert website and podcast.

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Website Links:

https://weedywet.com/index.html
RSR126 – William Wittman – Multi Platinum Producer Mixer for Cyndi Lauper, The Outfield, The Fixx, The Hooters, and Joan Osborne


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

"Sonically good without the sonic soul is crap!" Michael talked about why it's the emotional stuff, not the technical stuff that makes a great mix, how to understand multi-bus mix compression, why plugins are fun, and mixing in Atmos on headphones.

My guest today is Michael Brauer a Grammy-winning New York mix engineer. His many credits include "Best Pop Vocal Album" for John Mayer's Continuum, "Best Alternative Album" for Coldplay's Parachutes, and also "Best Rock Album" for Coldplay's "Viva la Vida or Death and All His Friends". Other artists include The Rolling Stones, Aerosmith, Jeff Buckley, David Byrne, Paul McCartney, Ben Folds, KT Tunstall, and Martha Wainwright. He also invented the technique known as 'Brauerizing', in which mixes are routed through multiple compressors and busses to create a blended sound. And he is a co-founder of Mix With The Masters which has been running for over a decade. 

Michael has been a guest on the show previously to talk about his background in music and mixing so please chack out that episode at RSR300. And at that time he had relocated outside the heart of the city in NY to settle into his home studio for mixing. He also completed his journey of migrating his mix template over from a hybrid setup to a full “in the box” method with the help of his engineer Fernando Reyes. Michael created a fantastic course on Puremix.net called Brauerize ITB to teach his mixing setup so you can recreate the whole thing in your home studio if you choose. 

So I am excited to have Michael joining us to talk about his philosophy of mixing and the migration over to mixing “in the box”.

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Website Links:

RSR300 – Michael Brauer – How to Design Your Own Mix Template in the Box
https://www.mbrauer.com/
https://reverb.com/shop/soundtowers
Instagram
Twitter
Facebook

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Who wants 20 drum mics? Danny talked about how to mix drums with samples, why a bass amp is best, mixing in Atmos, the Tascam cassette eight-track, how to use compression, and why you should put a single Coles 4038 over the drummer's right shoulder.

My guest today is Danny Reisch a multi-instrumentalist writer, producer, engineer, and studio owner. Originally from Texas, Danny built an incredibly successful recording studio called Good Danny's, where he began to establish himself as a world class producer and engineer. Since then, Danny has moved to LA to pursue more opportunities, including film and TV mixing. Recently, Danny has just finished mixing for the Local Natives EP, as well as LP's for Bayonne and Barns Courtney. In the film scene, Danny has just wrapped score mixing for Disneys "Peter Pan" and Wendy, as well as AMC's new show "Interview With The Vampire"

Thanks to Kelle Musgrave Glanzbergh at Linear Management for the introduction.

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Website Links:

Instagram: gooddanny's
https://linearmanagement.com/

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Nashville tuning for rock guitars? Dave talked about shooting out vocal mics, recording overheads from the drummer's perspective, mixing the Jayhawks for Rick Rubin, starting at Oceanway Studios, click tracks, perfect hand claps, and mixing in Atmos.

My guest today is Dave Schiffman a Grammy winner and Multi–Platinum selling producer, mixer, and engineer came up the ranks as Rick Rubin’s engineer. Together they produced monster hits such as Red Hot Chili Peppers’ ‘Californication’, System Of A Down’s ‘Toxicity’, which reached # 1 on Billboard, certified double platinum, and earned multiple awards and nominations. They also produced ‘Hypnotize’ which once again hit Billboard #1 and led the band to be the first-ever rock outfit to have two #1 LPs in one year.

Dave’s production and mixes have topped the charts recently with The Strumbellas Hope from which the single ‘Spirits’ hit #1 on the Billboard Alternative charts, took home the Juno Award for Single of the Year (2016), received an iHeart Radio’s Best New Artist nomination, and won Much Music’s Best Alternative Video. Dave produced Pup’s 2019 ‘Morbid Stuff’ which debuted #1 on multiple Billboard charts including Rock, Heatseekers, Alternative, and Independent Albums – it also landed at #14 on Billboard top 200 charts. The album went on to be shortlisted for the prestigious Canadian Juno Award for Album of The Year. Dave has also worked on Smashing Pumpkins’ latest album CYR, The Killers’ critically acclaimed LP Imploding The Mirage, Grammy Award-winning album Father Of The Bride by Vampire Weekend, and Haim’s Days Are Gone, which reached #2 on both the Billboard top Rock and Alternative charts.

Thank you to Kelle Musgrave Glanzbergh at Linear Management for the introduction.

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Website Links:
https://atyourside.wixsite.com/mysite-1
Facebook
Instagram


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

"Does it go to eleven?" Paul talked about why level matching sucks for a real studio session, Recreating classic doubler and flanger plugins, designing immersive analog consoles, and why you should mix in 7.4.1.

My guest today is Paul Wolff.

In his own words - “In 1972, I was hanging out at a local TV shop, a guy comes in with a Strat with "no sound". The shop owner had no clue, I pulled the jack out and fixed it, the guitar player said "from now on, your name will be FIX…". That was the beginning of my course on the road to the studio to designing. Both parents were in Big Bands during the 40’s, and later my Father was a civil engineer and my mother was a custom jeweler.

A club in Washington DC called the Bayou, I did FOH for such bands as Foreigner, Dire Straits, Pat Benatar, etc. I was the FOH for many showcase bands attempting to get signed.

In June of 1985, I was offered API at a very low price because the current owners wanted to trim the assets so sell the whole company. I purchased the company and opened in a 20X30 foot office, and received a phone call from a guy named Shelly Yakus, looking for API 560 equalizers. Shelly was my first customer and has remained a good friend since. We were a company that grew without any kind of credit line, as we were self funded. Later I sold API and In 2005 I started Tonelux and then in 2012 started FIX Audio Designs, LLC, to make consoles again….

The current product line includes a Stereo input module, a 5.1 input module and an Immersive input module with Object Sends. I am currently the only company in the world making analog Immersive consoles. The console can be fitted with any op-amp/transformer combination to get any console tone you desire. The Stereo input module allows you to choose 3 different tones, and each of the 3 mix busses can have any op amp transformer. The stereo module also has a DAW monitor loop, much like an inline console.

I have also designed products like the Tony Shepperd/A-Designs MIX Factory, The Sunset Sound Tutti Mic Pre, A Lindell input module with EQ and a compressor, Analog Alien EPI universal pedal interface, the Slate VMS1 Mic Pre, the Slate Control monitor system, The new Slate Audio Monitor system, and was involved in the new Slate Audio VSX headphone system.”

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Website Links:
www.fixaudiodesigns.com
www.fixaudiostore.com
@fixaudiodesigns


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

How big and fat is your snare? Jon talked about getting great drums sounds, ribbon vs condenser overhead mics, miking guitar amps, shopping bands to labels, calibrating the console for mixing from Pro Tools, and getting the kick and bass phase right.

My guest today is Jon Fintel a producer/engineer in Columbus, Ohio and owner of Relay Recording studio. Way Yes, The Worn Flints, Snarls, Girl Fox, and Mark Lomax are just a few of the artists that have worked with Jon at Relay.

Jon has been a guest on the show on episode RSR199 to share his backstory and talk about recording at Relay Recording Studio. Today we will talk about what's new at the studio and dive into more recording and mixing tips for your studio.

Thanks again to Jason Knox for making our original introduction.

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Website Links:
RSR199 – JON FINTEL – RECORDING AWESOME INDIE ROCK AND JAZZ IN COLUMBUS OH
https://www.instagram.com/relayrecording/
https://www.facebook.com/RelayRecording/
https://www.facebook.com/jon.fintel


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Should you buy 10 of everything you need? Larry talked about Jackpot! Recording Studio, recording and archiving Elliott Smith's music catalog, mixing on a console vs Pro Tools, recording a song quickly, and audio restoration tips in iZotope RX.

My guest today is Larry Crane the founder of Tape Op Magazine, and owner of Jackpot! Recording Studio, a producer/engineer/mixer, and a recording arts educator. He has been on the podcast previously to talk about starting out in a band, launching the magazine TapeOp, producing records and mixing at Jackpot! Recording Studio, Recording and curating the musical archives of Elliott Smith, and lots of other fun stuff.

Today we will talk about what's new in the studio, various archival/restoration jobs, and more recording and mixing insights.

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Website Links:
RSR247 – Larry Crane – How To Get A Pro Mix While Avoiding Common Mixing Mistakes
RSR051 – Larry Crane – Tape Op Magazine and Jackpot! Recording Studio
Instagram: larry_crane_producer
Twitter: LCraneTapeOp
https://larry-crane.com/
https://jackpotrecording.com/
https://tapeop.com/
https://vomitlaunch.com/


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Are you trying or just lying? James talked about why losing weight, staying healthy, and doing rather than trying, how to eat well and find a daily exercise routine for life in the studio, and vocal coaching tips for being able to hit the high notes.

My guest today is James Lugo singing and playing music since he was 6 years old. His career as a singer / guitarist / songwriter spans decades and coasts. Cutting his teeth in the late 70’s playing in country and rock bands in Fort Lauderdale to headlining LA’s Sunset Strip in the late 80’s, later playing guitar with Dokken and singing with Nazareth. He toured for years, playing and living in Los Angeles, Nashville, and Austin and wrote countless songs professionally in all genres with much commercial success and TV and film placement. 

While living and working in Los Angeles his skill as a vocal coach and music producer began to take off in 2001 when he began working as a vocal analyst and coach with American Idol. He was involved with the show for 10 years and directly worked on the show for 3 seasons. His years on screen and behind the scenes with Idol made him a household name in the Hollywood music and vocal coaching scene and landed him on the rosters of almost every major label as a vocal coach and producer, for many people in the industry he was their go-to guy!

James is also an author writing a book to tell his story of personal transformation called “Swing For The Fence” a field manual on how he lost 100 pounds at 51 years old, regained his health and took back his mojo, and how you can too!

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Website Links:
https://www.jameslugomusic.com
Facebook
Instagram
YouTube


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

What if you could meet your heroes? Craig talked about connecting with Eddie Van Halen to deliver long-lost Van Halen bootlegs, recording his own triple amp guitar setup, hanging out with Dweezil and Frank Zappa, and soloing John & Yoko's vocal mics.

My guest today is Craig Parker Adams owner of Winslow Ct studio in LA and accomplished guitarist and producer. Craig was a guest on episode RSR331 when he shared his background in music and talked about running the oldest recording studio in the world dating back to the 1900’s for the earliest sound for film productions.

Craig has worked with a great list of which unclides Frank Zappa and got a great write up in Rolling Stone about mixing Frank Zappa and the Mothers’ Epic 1971 Fillmore East Shows for the 50th-Anniversary Reissue 8-CD box set which includes band encores with John Lennon and Yoko Ono and even a recording of the infamous London’s Rainbow Bridge gig that left Zappa nearly paralyzed.

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Website Links:
RSR331 – CRAIG PARKER ADAMS – THE OLDEST RECORDING STUDIO IN THE WORLD
www.craigparkeradams.com
www.winslowctaudio.com


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson