Tag Archives for " drums "

Matt talked about the origin of the famous Q Region poster, the history of Q Division studios, the most common mistakes that people make when recording a band live in the studio, working with Jennifer Kimball and Ry Cavanaugh of Session Americana, a breakdown of the Glyn Johns drums, best choices for vocal and bgv mics, and lots of other stuff!

My guest today is Matt Beaudoin, a Boston-based engineer, producer, and educator.  While currently a freelance engineer, Matt has had a long association with Q Division Studios, where he was chief engineer from 2003 to 2010.  

While he has worked in a wide variety of genres, Matt particularly enjoys employing classic recording techniques while working on music made with a live, ensemble-based approach. In addition to his work in the studio, Matt is currently an assistant professor of Music Production and Engineering at Berklee College of Music.

Today he is going to talk about his experience recording in Boston and teach us How to Get a Great Recording of a Band Live Together in a Room

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My guest today is Eric Sarafin aka Mixerman, a gold and platinum award winning record producer and mixer. He has worked with many nationally known acts, including The Pharcyde, Tone Loc, Ben Harper, Lifehouse, Nine Days, Barenaked Ladies, Amy Grant, and Foreigner, just to name a few. After 25 years based out of Los Angeles, Eric is now living in Asheville NC, where he produces and mixes records out of several world class recording facilities located there.

Eric is also a published author and has written several books under the pen name of Mixerman about recording, producing, and mixing. It all began with The Daily Adventures Of Mixerman chronicling his recording journey in the studio. He then went on to write Zen And The Art Of Recording, Producing, and Mixing as three separate books after that, which I highly recommend reading.

And now he has come out with his most recent book presented as a field manual for the studio called: Musician’s Survival Guide To A Killer Record.

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My guest today is Marc Daniel Nelson, a Grammy nominated music producer, mixing engineer, and 4 time PMA nominated, and 1 time winner.

He has been producing, mixing and managing creatives for over 18 years.  His music credits include Fleetwood Mac, Jason Mraz, Colbie Caillat, Eric Burdon, Robert Duvall, Mark Bussard, Ozomotli, Reik and more. As Protégé for both legendary producer / engineer Bill Schnee and Ken Caillat, Marc has carried the torch for impeccable quality sound and production.  

His film credits include Solo, The Vietnam War, Blade Runner, Wild Horses, Point Break, No Manches Frida, Father Figures and more.  

His creative management credits include executive producing the 13 episode PBS television series, creating and executive producing the national video campaign for Guitar Center and creative directing for Alcon Sleeping Giant and ArtistMax.

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My guest today is Nikolay Georgiev, a London based engineer, producer and plug-in developer. Nik is also an experienced lecturer in Sound Engineering and Music Production and a past chairman of the AES UK section.

He is engaged closely with Acustica Audio, both as internal and external 3rd party plug-in developer. As such he took a major role in the creation of plug-ins such as Lime, Navy, Cream and some of the modules in Pink. Nik currently works on his own line of plug-ins based on Acustica’s tech.

I discovered Nik one day browsing Facebook and seeing him post videos from exotic spaces with incredible reverbs from around the world. You might find him firing a gun in a long industrial tunnel under a mountain somewhere or popping a balloon in a beautiful church. I have always found this kind of thing fascinating. So I knew we would want to learn more about his adventures to capture and recreate reverbs from secret spaces around the world.

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My guest today is Paul Moak, a 5 time Grammy-nominated, ASCAP award winning, producer, engineer, mixer, songwriter, and musician based in Nashville, TN.

Paul has amassed credits on more than 500 albums. Spanning a wide variety of genres, with artists like: Goodbye June, Joy Williams, Mat Kearney, The Weeks, John Paul White (of The Civil Wars), Marc Broussard, Caitlyn Smith,  Relient K, The Blind Boys of Alabama, Leagues, and House of Heroes to name a few.

Paul’s work has appeared on numerous platinum and gold albums exceeding 10 million in sales and been featured on hit TV shows such as, Nashville, One Tree Hill, Private Practice, Pretty Little Liars, The Vampire Diaries and 666 Park Avenue as well as tv spots for College Game Day,  Bose, American Family Insurance, and Taco Bell.

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My guest today is Pete Lyman, a GRAMMY-Nominated mastering engineer based out of Nashville, TN and owner of Infrasonic mastering, an audio and vinyl mastering studio with locations in Echo Park, California and Nashville, TN.

Pete has mastered Grammy-nominated projects for Panic! At the Disco, Weezer, and Grammy-award winning albums for Jason Isbell and Chris Stapleton. In 2016 he was recognized with a GRAMMY Nomination for Album of the Year for Chris Stapleton’s Traveller.

In 2018, Pete opened his second studio facility, Infrasonic East, in Nashville, TN. Infrasonic East is now home to Pete Lyman’s custom mastering suite, and the Neumann cutting lathe, where he works with a diverse client roster - from John Prine and Dierks Bentley to Fall Out Boy and Halsey - on projects of all sizes.

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My guest today is Jim Stewart, a Cleveland based Engineer, Producer, and Mixer working with a wide variety of local, regional, and national artists. Some of Jim’s credits include Welshly Arms, The Lighthouse & the Whaler, Ray Flanagan and The Authorities, and Ryan Humbert.

Jim began his career studying at the Recording Workshop in Chillicothe, Ohio. Then went from intern to staff engineer at Metrosync studios and Ante Up Audio, after which he moved on to freelance engineering working out of many major studios in Northeast Ohio. Jim finally made his mark on Cleveland’s music scene and built his own studio in the heart of downtown Cleveland​.

Jim produces, engineers, and mixes records comfortably in a variety of styles like Rock, Jazz, Soul, and Americana weaving from productions that feature groovy live bands to productions that involve building a track from the drums up.

A decade ago I produced a record for an Akron/Cleveland artist named Ryan Humbert, called Old Souls New Shoes, which was recently re released for it’s tenth anniversary. Ryan has also been recording with Jim locally, and when I heard the awesome work they were doing I knew I would want to have Jim on the show to talk about making great records up in Cleveland, and how he is getting such great sounds from his studio.

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My guest today is Ryan Sutton, who originally thought he was going to be a professional golfer. Fortunately, his passion for music drove him to learn many instruments, including guitar, bass, keys, and drums, and then the studio.

Ryan's uncle, Bob Gaudio brought him into the studio and gave him a “masterclass” in writing and producing based on his work for some of the biggest artists of all time like Frankie Valli and The Four Seasons, Neil Diamond, Diana Ross, Frank Sinatra, and Michael Jackson. Bob invited Ryan to engineer and mix projects for Frankie Valli and for the Jersey Boys film soundtrack and international stage productions.

Ryan also worked under producer Tedd T (MuteMath, For King & Country). Ryan also got to play on For King & Country’s 2X Grammy-winning album Run Wild, Live Free, Love Strong, as well as projects for Phil Joel (Newsboys) and Big Daddy Weave.

In addition, Ryan has had the pleasure of writing and recording custom music jingles, as well as doing post-production mixes for Coca Cola, Krystal Burgers, Nike, BBC, LP Building Products, Payless Shoes, Dollar General, Backyard Burgers, Hummingbird Productions, HCA Healthcare, First Tennessee Bank, and Tennessee Housing Development Agency.

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My guest today is Jonathan Haidle, trained in both piano performance and composition, with an minor in painting. Jonathan likes to bring a wide range of artistic influences to his music.  After getting a masters in Education, he founded Forte Music School - where 180+ students receive private lessons with focus on recording/arranging pieces they learn.  

I’ve known Jonathan for a while and have also been aware that he loves using Ableton Live and the Push controller. But recently I saw some of his live performance videos on Youtube and thought it would be awesome to have him on the show to talk about using the push controller and Live as both a composition tool and performance DAW.

Jonathan says he has also been drawing some of his inspiration for composition from watching TV lately, particularly Project Runway. So he is going to tell us how he is drawing inspiration from the fashion industry in creating music - and why Ableton is such a great platform for that. And also talk about composing for film and TV.

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