"Damn it Jim I'm a mixer, not a bricklayer!" Collin reminds you to make sure that the arrangement is right before the mixing session, why old houses sound great, how to mix drums with phase and polarity, mix into busses, and soothe bass and vocals.

My guest today is Collin Dupuis a Nashville and Detroit based multi-Grammy nominated and two times Grammy winning mixer, producer, and engineer who has been on the podcast previously to talk about working with artists and projects including, Lana Del Rey, St. Vincent, Dr. John, The Black Keys, and many others. You can catch those episodes at RSR252 and RSR341 

Currently, Collin is busy working as a freelance mixer and engineer, recording, and mixing songs and albums for artists including, Angel Olsen, Yves Tumor, Boy and Bear, Cherry Glazer, Lawrence Rothman and many others.

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Website Links:

RSR252 – COLLIN DUPUIS – STUFF YOU NEED TO KNOW TO MAKE GREAT RECORDS
RSR341 – COLLIN DUPUIS – MIXING ANGEL OLSEN, LANA DEL RAY, YVES TUMOR
IG : @collin_dupuis_mixer
www.collindupuis.com

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Got mixing questions? Vance answered all your questions from the RSR Facebook group, talked about the challenges of mixing in Atmos, multi-miking Chris Stapleton guitars and vocals, the SSL mixing template breakdown, and how to make a washtub bass.

My guest today is Vance Powell, a multi-Grammy award-winning producer, engineer and mixer, and owner of Sputnik Sound in Nashville with Mitch Dane. Vance’s many credits include Chris Stapleton, The White Stripes, Arctic Monkeys, and Wolfmother to name just a few. Vance is a repeat guest on the podcast and you can hear his previous episodes on RSR 002, 171, 293 and 360 to hear about his backstory and get some great tips on mixing and mixing in Atmos.

Today we will catch up with Vance and see what's new in rock and roll, and find out more about mixing in both stereo and Atmos as well. Vance also has a ton of great videos on Youtube if you want to go learn more plus he has some great courses over at Puremix.net

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Website Links:

RSR360 – Vance Powell – Mixing in Dolby Atmos on Pro Tools at Sputnik Sound
RSR293 – Vance Powell – Answers All Your Home Studio Recording And Mixing Questions
RSR171 – Vance Powell – How To Produce, Record, And Mix A Record That Rocks
RSR002 – VANCE POWELL – GRAMMY WINNING PRODUCTION, MIXING, AND ENGINEERING AT SPUTNIK SOUND
http://www.allmusic.com/artist/vance-powell-mn0000307596/credits
http://www.sputniksound.com/
https://puremix.com/mentors/vance-powell

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Gloria Estefan was right! Stephen talked about Sphere and the history of American consoles, Smoky Joe amps, printing fx plugins, recording drums, acoustic, and electric guitars, deconstructing your tape machine alignment, and stereo ribbon mics.

My guest today is Stephen Shirk an Engineer, Co-Producer and Musician. Stephen has been a guest on the podcast back on episode RSR272 when he talked about his background and starting Shirk Studios in Chicago restoring a beautiful Sphere console and building a dedicated space for recording full bands to analog tape. 

“CONSOLE: 1976 Sphere Eclipse A - Discrete Inline Console.  32 Channels - 24 Mic Pres - 16 + 8 busses (24 outputs during recording) - With Eight 920 EQ’s and twenty four 910 EQ’s - Reichenbach input and Jensen output transformers give the console a punchy tone that defines the pinnacle of the 70’s American console design. Balanced Line Input mod features Cinemag Transformers and Discrete GAR6220 Op Amps (SPA62).” 

In 2019 Stephen open up the studio to Recording Studio Rockstars for a weekend mixing clinic with Anthony Gravino which was a blast! We had Rockstars traveling overnight on the bus from Canada and flying in from New York state just to be there and were able to listen to everyones music and offer feedback. Today we will catch up and see whats new at Shirk studio and learn more about how Stephen is recording and mixing such great sounding records. Thanks again to Anthony Gravino for the introduction.

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Website Links:

RSR272 – Stephen Shirk – How to Record a Great Band Performance in the Studio
www.shirkmusic.com
Instagram: @shirkstudios

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Is it bad to print your mix offline? John talked about the importance of arrangement, mastering dynamics in your mix, the Fletcher Munson curve, listening loud and quiet, crest factor, customer care, and why some plugins are different every time!

My guest today is John Mayfield a mastering engineer with over 50 years of experience and owner of Mayfield Mastering in Berry Hill. Originally a career musician, John turned to recording and mixing in the 80s travelling to studios all over the world. He has also been a guest on episode RSR036.

Originally a successful touring and studio musician John started out in the studio recording and then mixing all over the world finally settling on Nashville to start his own mastering studio. Dave Matthews Band, Sara Evans, Kathy Mattea, Naturally 7, Warner Brothers Records and Universal Music Group-UK, to list a few.

John notes on his website that everyone in music is trying to figure out what is next and define the new business model. Since records are being made more often by independent sources with smaller budgets that cannot always afford the high dollar mixer the need for quality mastering is very much in demand. “Music will always be a part of our lives. Maintaining and improving the quality of that music has always been at the heart of my efforts. It is not a job to me, but rather a true joy, You would be amazed at what we can do with a project in mastering that might not have been an A+ mix.”

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Website Links:

https://www.mayfieldmastering.com/
RSR036 – JOHN MAYFIELD – MAYFIELD MASTERING

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

"Made Loud To Be Played Loud!" Bill talked about recording with his son Michael, how to create cinematographic drums, single mic vocal stacking with The Eagles, producing demos on a boat, how to record great rock guitars, and singing at 8000 feet.

My guest today is Bill Szymczyk (and his son Mike Szymczyk) a Grammy-winning and multi-nominated American music producer and engineer best known for producing Hotel California by The Eagles. He produced many top albums and singles of the 1970s, though–aside from continuing to work with Joe Walsh–he retired from the music business by 1990  re-emerging in the late 2000s for select projects including the 2007 Eagles album Long Road Out of Eden and the 2008 eponymous debut of Brian Vander Ark.

Unlike many music producers, Szymczyk has no background as a musician. He was originally a sonar operator for the U.S. Navy and took some audio production classes as part of his Navy training. Besides his work with the Eagles, he has produced hit songs and albums for such diverse artists as B.B. King, Joe Walsh, The James Gang, and Elvin Bishop.

Thanks to Rick Carson with Make Believe Studio for making our introduction, and to Jonathan Roye. 

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Website Links:

https://www.michaelszymczyk.com
IG - @mikeszymczyk

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Delete most of those damn tracks before you mix! Billy talked about narrowing the drum and guitar mics down to the essentials for mixing, his vocal chain, bass eq roll-off, designing the perfect mixing chain plugins, and how mixing mono can help you.

My guest today is Billy Decker aka The Deckerator is an award winning Nashville mixing engineer known for his efficient and effective mixing method. 

He’s mixed 16 Billboard #1”s to date such as Dustin Lynch’s “Riding Roads” and notable artists as Sam Hunt, Chris Young, Rodney Atkins, Parmalee, Colt Ford, and the metal band Starset to name just a few. He also mixed George Jones’s last album before he passed. Billy Decker made history in July of 2014 when Sam Hunt became the most added new artist of all time. 

Decker works in a unique way. “I mix really fast. Most of my mixes are finished within an hour. To be able to do this, I use a lot of templates in pro tools. Instead of spending two hours EQing a kick drum I can do it in thirty seconds, because I have set up templates for the album that outline all the basic parameters for each instrument. I can then work on fine tuning - working on the entire mix, rather than focusing on individual adjustments. It’s a good way to work. It’s fast efficient and most importantly it’s fun."

He has been on the show recently for episode RSR281 and is also now a published author for his book “Template Mixing and Mastering: The Ultimate Guide to Achieving a Professional Sound” and has created a series of mixing plugins called the Bus Glue Billy Decker Bundle over at Joey Sturgis Tones. 

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Website Links:

RSR281 – Billy Decker – New Book Template Mixing & Mastering
RSR210 – Billy Decker – Speed Mixing #1 Hits Inside Pro Tools
billydecker.com
Facebook: billydecker
Instagram: deckerboards

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Is it OK to Butcher a session? Sean talked about recording at the kitchen table with John Prine, capturing powerful vocals with Sturgill Simpson, when to use goboes and figure eight mics, and why the fiddle player texts you during a tracking session.

My guest today is Sean Sullivan a 3 time Grammy award winning engineer, mixer and producer based in Nashville. After graduating from MTSU a chance opportunity landed him at The Butcher Shoppe Studio, owned by John Prine and producer David Ferguson, where he continued to work for a decade before the building was sold and demolished in the summer of 2020. 

Notable artist that recorded at the studio include Sturgill Simpson, Tyler Childers, The Black Keys, Kurt Vile, Jake Bugg, The Devil Makes Three, Margo Price, The Steeldrivers, and The Del McCoury Band. Since the Butcher Shoppe's closing Sean has primarily been working out of The Tractor Shed studio in Goodlettsville, TN and his personal home mixing space he reluctantly put together during the pandemic.

Thanks to Collin Dupuis for the introduction.

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Website Links:

seansullivanaudio.com
Instagram: seansullivanaudio


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

It's all about the vibe! Adam talked about recording the Bloc Party Alpha Games, overdubbing cymbals, recording like Al Schmitt, guitar pedals mixing in the box, why the Mini Moog has nothing new to say, and where to use Slate Virtual Console.

My guest today is Adam Greenspan A Grammy-nominated engineer, mixer, and producer who had a pretty good start to his career engineering Faith No More’s “Album of the Year” at age 20. He later spent time at two world-class studios, Westlake Audio and The Village Recorder, working with artists such as Marilyn Manson, Rage Against the Machine, and Bono before going freelance in 2000.

Adam has been a guest on the show for episode RSR289 when we talked about his background in music. Today we will see what's new in his studio.

Thanks so much to Adris Evelis at JZ Microphones for making our introduction.

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Website Links:

RSR289 – ADAM “ATOM” GREENSPAN – PRODUCING & MIXING IDLES, ARCADE FIRE, YEAH YEAH YEAHS, NICK CAVE & THE BAD SEEDS, AND THE VEILS
atomgreenspan.com
INSTA: @aatomg
TWITTER: @aatomg_producer


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

How many recording engineers does it take to change a light bulb? Joe talked about tracking to tape without headphones, mixing in the box using headphones, ns10s, and Auratones, creating cool drum sounds with plugins, and vocal mic and mixing tips.

My guest today is Joe Costa a freelance engineer/mixer in Nashville, TN, originally from Dartmouth MA. A Berklee College Of Music graduate, Joe started out at Syncro Sound in Boston before moving to Nashville in 1993. Since then, he has worked in many great studios like Sound Emporium, Treasure Isle, House Of David, and RCA Studio A, and with many great artists, producers, and engineers through his career like Richard Dodd, William Shatner and Joe Baldridge, and also for more than a decade with Ben Folds.

Joe’s credits also include Amanda Palmer, Elizabeth Cook, Lyle Lovett, Sara Bareilles, Kesha, and Caitlin Rose, among many others. He has been a guest on the show on episode RSR090 to talk about his origin story and working with Ben Folds and William Shatner.

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Website Links:

RSR090 – JOE COSTA – RECORDING BEN FOLDS AND WILLIAM SHATNER
instagram: costa71
facebook: Joe Costa Engineer/Mixer
twitter: @joecosta71


Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson

Mix with your ears closed! Bobby talked about mixing using only visual meters, why playlist mixes are the new radio mixes, immersive audio, simple home studio sound treatments, mixing in headphones, and how to take your mix from muddy to magnificent.

My guest today is Bobby Owsinski a Producer/engineer and one of the best selling authors in the music industry with 24 books that are now staples in audio recording, music, and music business programs in colleges around the world, including The Mixing Engineer’s Handbook, Social Media Promotion For Musicians, and The Music Business Advice Book. 

He’s also a contributor to Forbes as a category expert on the new music business, his long-running production and music industry blogs have won numerous industry awards, and he’s appeared on CNN and ABC News as a music branding and audio expert. 

Bobby’s highly-rated Inner Circle podcast is now in its 9th year, with more than 400 episodes that feature mover and shaker guests from all parts of the music industry. He’s also recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the Apple Music Rock Chart. And his new book update is out Mixing Engineers Handbook Fifth Edition. 

Bobby has been a guest on the podcast on episode RSR010.

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Website Links:

RSR010 – BOBBY OWSINSKI – 101 MIXING TRICKS
bobbyowsinskiblog.com
music3point0.com
BobbyOInnerCircle.com
forbes.com/sites/bobbyowsinski
facebook.com/bobby.owsinski
pinterest.com/bobbyowsinski/
youtube.com/polymedia
https://www.instagram.com/bobbyowsinski/
Linkedin.com/in/bobbyo/
https://twitter.com/bobbyowsinski/

Additional podcast editing and production by:
Brayden Stremming
Vlad Vasilcenko
Jon Richardson